悲剧审美活动是一个极其复杂的心理过程，其中主体产生的情感形态具有对立性、相似性的特点；
The aesthetic reading of tragedies is a very complicated psychological process. The Aesthetic subjects produce emotions whose forms can be both contradictory and similar to each other.
感受情感时的面部形态不同于伪装情感时的面部形态。
The shape of the facial expression is different when emotion is felt as compared with when the expression is faked.
在戏曲舞台上，演员就像百艺兼备的诗人，运用诗歌的思维逻辑和技艺形态，在歌舞化的表演形式中创造诗的意境，在寓言性的故事中寄寓诗化的情感。
On the stage, the poets are performed by the actors, who run the poetic thought logic, create the artistic conception and include the moral emotion though fable story.
在早期，土家族舞蹈形象以祭祀形式存在，同时也表现出土家族民俗文化的具体形态，成为人们表达与宣泄情感的最佳载体。
In the early days when dance was used to worship the image of the form, to show the specific form of Tujia folk culture, people expressed and vent their feelings as the best carrier.
和合艺术哲学的宗旨是全面彰显各艺术形态的符号化虚拟特征，交互式情感内涵和意境性自由使命。
The tenet of the artistic philosophy of harmony and unity is to demonstrate the symbolized features, the mutual sensibility and the conception of freedom of arts.
情感作为物质形态出现，而更有意思的是，物质又把人的灵魂表现出来。
Emotions emerge shaped as states of matter and more interestingly, matter ACTS out what goes on in the soul.
人的日常实践中的感觉、情感、领会构成了情意本体，“合情合理”是它的基本尺度，“诗意生存”是它的高级形态。
Human feeling, emotion and understanding constitute the main body of affection, with "true to feeling" as the basic measure, "poetic existence" as the advanced form.
产品的情感价值以及通过产品形态所传达出来的精神价值逐渐成为影响消费者购买行为的重要因素。
Both the product's emotion value and the spirit value which is communicated by the form of the product gradually become an important factor to affect consumers' habits of purchasing.
从语意学的角度，分析了如何通过产品的形态，提高产品的情感价值。
From the semantics Angle analyses how improves the emotion value of the products.
“三吏”、“三别”分别给古代叙事诗提供了“对话”、“代言”两种叙事形态，形象地表明了杜甫的叙事立场和情感态度。
"Sanli" and "Sanbie" provided the ancient narrative poems with two narrative patterns-discourse and speaking for others, and vividly demonstrated the author's standpoint, attitude and feelings.
形象超越现实物质形态，展现的是思绪和情感的交织和似有似无，既实又虚的意境。
The image exceeds the real matter form , unfolding is feeling and the emotion intertexture and is like having being like the nothing , both reality and false artistic conception.
君特·格拉斯是一位著名的战后德国文学家，是位善于把自己的情感、意念与社会历史文化融合为特定艺术形态的意象大师。
Gunter Grass is one renowned postwar German writer, is an idea master who is good at reading own emotion, idea to blend with social history culture for the particular art appearance.
中国古典诗学十分关注情感与艺术的关系，并从这一角度对艺术发生以及艺术形态进行了充分地阐述。
So, Chinese classical poetry Pays great attention to the relations between emotion and art, and further more, gives a full interpretation to the emergences and the types of art in its own view.
音乐与人类情感的运动形态之间存在着同质同构的对应关系，情感是音乐的本质性特征。
There are homogeneity and isomorphism between music and emotion of human being, and emotion is the essence of music.
在此基础上，提出了拓扑形态在产品造型设计中运用的方法和途径，并剖析了产品设计中拓扑形态的情感语意和审美意蕴。
On this basis, it proposes used ways and means about topological form, and analyzed emotional semantics and aesthetic implications of topological form in product design.
音乐的悲剧美作为音乐美学的审美形态之一，可以激发人们化悲痛为力量，在道德上震撼人心，使情感得到陶冶，是崇高美的集中体现。
As one of the aesthetic forms of music aesthetics, the tragedy beauty of music can make people turn sorrow into strength, excite people's mind morally and refine people's sentiment.
牵挂是一种生命的形态，是所有人都会寻找都会珍爱的情感场所和心理磁场。
About is a form of life is to find every treasure everyone will place the emotional and psychological magnetic field.
对咏史诗创作已积累的艺术经验如情感性、个体性、特征性、现实性等，亦以范本形态展示出来。
In the selected poems the accumulated artistic experience such as feelingness, individuality, characteristics and reality also have been expressed as a model form.
音乐与人类情感的运动形态之间存在着同质同构的对应关系，情感是音乐的本质性特征。
Music and movement patterns of human emotion there is homogeneity between the isomorphic correspondence between the nature of emotional characteristics of music.
舞蹈以人的形体为媒介，表现人类主体的内在审美情感，舞蹈与雕塑、戏剧、音乐等艺术形态的联系较为密切。
Dance, taking human bodies as its medium, expresses the inner aesthetic feelings of humans. It has close relations with sculpture, drama, music and the like.
神性写作和日常写作作为不同审美观照下形成的两种不同文学实践方式，它们在叙事形态、情感方式以及审美境界、艺术想象力上都迥然不同。
As two different literature practices in different aesthetical perspectives, divinity writing and daily writing are very different in narrative forms, mode of emotion and art imagination.
文学中道德生活的表现，应以审美的形态来显现道德与情感的冲突，以充满热情与生命的生活形象表达对真善美的肯定和假恶丑的否定，以美的形式与情感诉诸读者的心灵。
The literary expressions of moral life ought to make use of the aesthetic device to reveal the conflicts of emotions and ethics, to tell good from evil, and to touch the souls of the readers.
其空间形态是一种空间与人的情感感受互相交融的组合体。
It is a combination body that the space and the man sensibility each other action and amalgamation.
其空间形态是一种空间与人的情感感受互相交融的组合体。
It is a combination body that the space and the man sensibility each other action and amalgamation.
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