剖析莎士比亚的悲剧的独特风格。通过对其悲剧中悲剧环境与悲剧人物的研究去发现其悲剧人物的无穷的艺术力量。
Shakespeare's tragedies have their own unique style. By studying the environment and characters of the tragedies, the tragic characters' endless artistic power can be found.
悲剧的主人公克莱德的原型植根于希腊悲剧中的命运悲剧,同时在莎士比亚悲剧作品中也能找到其原型。
The archetype of the tragic protagonist, Clyde, roots in the fate tragedy of Greek tragedies and the tragedies by William Shakespeare as well.
《麦克白》是莎士比亚四大悲剧中的最后一部,也是“一出最令人恐惧的悲剧”。
"Macbeth" is the last of the four tragedies written by Shakespeare and it is also "the most frightening one".
布莱希特运用他的叙事戏剧理论旗帜鲜明地反对传统悲剧中的净化与共鸣思想,但并不反对戏剧的悲剧性。
By using his theory of narrative drama, Brecht was unequivocally opposed to the traditional tragedy of the purification and resonance of thought, but not opposed to the tragic of drama.
音乐剧《西区故事》是美国百老汇音乐剧中最为经典的悲剧之一,它的价值主要体现在戏剧悲剧性同音乐戏剧性的高度有机统一之上。
West Side Story is one of the greatest tragedies in U. s Broadway musicals. Its value is mainly from perfect integration of the tragic and dramatic music.
《汉宫秋》位列元杂剧四大悲剧之一,是我国古代戏剧中的一部著名悲剧。
"Han Gong Qiu" is one of the four major tragedies of Yuan Dynasty, is a well-known tragedy of the ancient Chinese drama.
本文着重论悲剧,剖析其艺术特征,构成要素,展示它的审美意义和价值,在论悲剧中展开他的美学思想。
This paper highlights his tragedy and analyses its artistic character and elements and shows its aesthetic meaning and value. He expresses his aesthetics thought in the midst of discoursing tragedy.
悲剧的日神因素和酒神因素这一对立在悲剧中被扬弃而归于统一。
The antithesis of Apollo and Dionysus is sublated and united in tragedies.
因此,理清西方悲剧中超越的内蕴,必然有助于对西方悲剧精神的透彻把握。
Therefore, investigating clearly the meaning of transcendence is helpful for grasping completely the western tragic spirit.
因为,欧洲苦难有着希腊古典悲剧的全部特征。希腊悲剧中品格高尚的人常常毁于致命的傲慢缺陷。
For Europe's woes have all the aspects of a classical Greek tragedy, in which a man of noble character is undone by the fatal flaw of hubris.
悲剧的主人公克莱德的原型植根于希腊悲剧中的命运悲剧,同时在莎士比亚悲剧作品中也能找到其原型。
This paper analyzes the cause of the tragic ending in Hamlet from the angle of fate tragedy and character tragedy.
悲剧的主人公克莱德的原型植根于希腊悲剧中的命运悲剧,同时在莎士比亚悲剧作品中也能找到其原型。
This paper analyzes the cause of the tragic ending in Hamlet from the angle of fate tragedy and character tragedy.
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