但是《伴娘》是一部不同类型的女性喜剧。
这是关于面对隐藏在荣耀外表下的痛苦的人性喜剧的故事。
It is the story of human comedy in the face of pathos hidden in the guise of glory.
“歌颂性喜剧”在本质上是违背艺术规律和喜剧精神的一个伪命题。
Praising Comedy is, in essence, a false proposition, which is against artistic discipline and comic spirit.
我们已经习惯看像《宿醉》这样的男性喜剧，我认为这部电影平衡了这个问题。这个角色十分明确。
We're so used to seeing male comedies like the Hangover and I think it redressed the balance.
中国当代喜剧精神失落的原因之一，就是喜剧观念的僵化和迷失，而其突出的表现就是“歌颂性喜剧”被大力提倡。
One of the reasons for the loss of contemporary Chinese comic spirit lies in the rigidity or absence of comic conceptions, with a result that Praising Comedy was excessively favored.
由于目前人们对于攻击性喜剧及其如何界定的问题如此热衷，评论家和保守派给着各种各样的例子，一次次耍弄着他们最好或者最差的伎俩。
As the current obsession with offensive comedy and its boundaries rumbles on, commentators and pontificators are wheeling out their best and worst gags by way of example, left, right and centre.
由于目前人们对于攻击性喜剧及其如何界定的问题如此热衷，评论家和保守派给着各种各样的例子，一次次耍弄着他们最好或者最差的伎俩。
As the current obsession with offensive comedy and its boundaries rumbles on, commentators and pontificators are wheeling out their best and worst gags by way of example, left, right and centre.
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