以下十种用日常物品的另一面创作出的令人惊奇的艺术作品将给你带来视觉和心灵的享受，也证明了艺术如何带领我们领略世界的多彩。
Feast your eyes and soul on these ten amazing artworks, made from otherwise ordinary objects, proof of how art can make us see the world differently.
心灵感应是不用五官感觉(视觉、听觉、触觉、嗅觉、味觉)来进行交流的一种能力。
Telepathy is the ability to communicate without the use of the five senses (sight, hearing, touch, smell, taste).
这不仅给我们带来了美的视觉享受，更使我们的心灵得到了美的洗涤。
This not only brings us the visual enjoyment of beauty, but also purifies our soul by the beauty.
而我们却视觉疲劳，心灵缺乏阳光，生活在灰色阴霾中。
We are visual fatigue, lack of sunshine soul and life in the gray haze.
这张餐桌除具便餐的功能外，对喜欢喝茶的人，它还是个家人聊天、沟通的心灵空间，因此，尽量保持视觉的澄静、整洁。
This table, a simple function, like tea for the people, it is a family chat, communication soul space, and therefore to maintain visual Chengjing, cleanliness.
这标题提供一个引人入胜的视觉盛宴，好奇的幼小的心灵是完美的。
This title offers an engrossing visual feast that is perfect for curious young minds.
画面中色彩的前后运动，引导我们的眼睛和心灵产生流动，在洪凌的画里打动人的不是一种视觉的深远。
The back and forth movement of the image's colors guides our eyes and spirits to produce a flow. In Hong Ling's paintings, far-reaching visuals are not the factors that move people.
两种视觉观念都可以追溯到柏拉图，柏拉图塑造了两种视觉：“心灵之眼”和肉眼。
The two types of visual concept can be traced back to Plato who created two types of visual: "Spiritual eye" and the naked eye.
人物以夸张、变形为手段；强调造型形体本身所展现出的一种极强的表现张力，增强了对于视觉的冲击，对心灵的憾动。
The figures are all distorted and exaggerated, which sets off the extremely expressive tension of forms themselves, enhancing the visual impact while striking a chord in each and everyone's heart.
SanctusStones有适合各行各业的“可佩戴的能量”，其作为视觉提示物和心灵的指南针引导着我们一生的旅程。
Sanctus Stones range of Wearable Energies caters for all walks of life, and act as a visual reminder and compass for our mind by guiding us on our individual journeys.
平面设计在形态上的“不平”已经延展有静态与动态的体现，又不可避免地向情态上即人的心理空间延展，满足了人们从视觉到心灵的美感要求。
Now non-graphic in Graphic Design has developed dynamic and form, and gradually extent to mental dimension, so as to satisfy the readers from vision to mentality.
平面设计在形态上的“不平”已经延展有静态与动态的体现，又不可避免地向情态上即人的心理空间延展，满足了人们从视觉到心灵的美感要求。
Now non-graphic in Graphic Design has developed dynamic and form, and gradually extent to mental dimension, so as to satisfy the readers from vision to mentality.
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