影视作为一种艺术形式呈现给观众的一面就是影视画面，影视画面的造型是影视艺术最重要的元素之一。
As a kind of art, movies and televisions presented to the audience pictures, Configuration of the picture is the most important element of Film-Video Arts.
本文主要从影视场景设计的光线、色彩，以及影视摄影的构图和运动摄影来研究影视画面的造型艺术形式。
In my work, I studied the configuration of the screen pictures from the light and color of the scene design, filming composition and traveling shot.
影视艺术是对文字剧本的画面实现，如何将剧本当中的剧情所带给我们情感上的撞击通过画面来表达出来，这就是动画分镜头的用武之地。
Visual arts is a picture of the script text to achieve, how the script which brought us the story of the emotional impact to be expressed through the screen, which is sub-lens useless animation.
纪录片是电影和电视片中的重要片种，除了纪录片的画面外，纪录片的解说词在影视传播中也起着不可取代的重要作用。
Documentary is an important genre in cinema and television series, and the commentary in documentary, alongside with its images, plays a significant role in audiovisual communication.
最后历史影视作品作为一个艺术作品，它通过画面、背景音乐、人物对白等艺术表现手法，对高中生进行早期审美能力的培养。
Finally history of film and television works as an art, through pictures, background music, white figures such as performance art practices for high school students early aesthetic ability.
任何一个风格独特、富于个性化的影视片头都是画面视觉艺术巧妙结合的典范，它包含着多方面、多视角的综合知识，可能是历史方面的，或者是时尚方面的。
A unique style, rich character of the television screen titles are cleverly combining visual arts example, it contains many more integrated view of knowledge may be history, or is the fashion.
这是在横店影视城参与并制作的画面。
This is a picture which participation in the Hengdian film and television city and manufactures.
在影视节目制作中，我们受到某些成规的限制，往往把不符合“正规”技术标准的画面和声音素材列为“技术废片”，但有些素材具有真正的艺术性，我们可以充分利用其进行艺术创作。
这里，对构成画面的几个部分进行分析，以便影视创作者在创作中能够对画面的要素构成有一个总体把握。
It can help a creator make comprehensive deliberation, improve the level of the movie & video creator′s works.
这就要求摄影师要善于利用摄影视觉语言的分类，以便能够按拍摄目的的不同来组织和安排画面。
This requires photographer must make good use of classification of visual language in order to organize the composition by different intention.
这就要求摄影师要善于利用摄影视觉语言的分类，以便能够按拍摄目的的不同来组织和安排画面。
This requires photographer must make good use of classification of visual language in order to organize the composition by different intention.
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