在理论上，实践美学顺应历史的潮流，宣告了形而上学的终结，走出了古典主义的二元对立思维模式；
In theory, practice aesthetics represents the tide of history, declares the end of metaphysics and gets rid of the mode of dualism.
美学长期在“形而上学”和“形而下学”压制之下，丧失了自身的特质。
Aesthetics has lost its own distinctive feature under the long-term suppression of metaphysics and physics.
这种本体境界，正是中国传统美学的精华与内核，它有别于西方本体的形而上，正是人们可以澄怀味道的根据。
This body state, it is the essence of traditional Chinese aesthetics with the kernel, which is different from the Western metaphysical ontology, is that people can taste under clarification of mind.
“实践自由”说是一种新的形而上学的美学理论模式，无法说明审美的本质。
Practice Freedom theory "is a new form of metaphysical aesthetic theory that can not illustrate the nature of aesthetics."
冯至散文的诗性品质表现形而上的超验意味，和冯至作为诗人的性格气质、趣味才情和美学追求紧密联系一起；
The poetic character of FengZhi's essay is expressed on the transcended meaning, collected with the poet's temperament, taste and aesthetic seeking.
作者通过这些女伶展现了《红楼梦》的三重美学世界：即青春童真世界；现实世俗世界；形而上的艺术化世界。
Through the twenty female singers, the author has revealed the threefold aesthetic world in Dream of the Red Chamber: the youth childishness world, real profane world and superorganic artistic world.
第三部分在前两部分的基础上讨论海德格尔对传统的形而上学的美学的批判，由此而揭示出传统形而上学美学的根源及其本质，使其陷入危机之中。
Based on the above two parts, the third part discusses Heidegger's critique on traditional metaphysic aesthetics, which discovered the latter's origin and essence, and drived it into crisis.
第三部分在前两部分的基础上讨论海德格尔对传统的形而上学的美学的批判，由此而揭示出传统形而上学美学的根源及其本质，使其陷入危机之中。
Based on the above two parts, the third part discusses Heidegger's critique on traditional metaphysic aesthetics, which discovered the latter's origin and essence, and drived it into crisis.
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