第三部分在前两部分的基础上讨论海德格尔对传统的形而上学的美学的批判，由此而揭示出传统形而上学美学的根源及其本质，使其陷入危机之中。
Based on the above two parts, the third part discusses Heidegger's critique on traditional metaphysic aesthetics, which discovered the latter's origin and essence, and drived it into crisis.
在理论上，实践美学顺应历史的潮流，宣告了形而上学的终结，走出了古典主义的二元对立思维模式；
In theory, practice aesthetics represents the tide of history, declares the end of metaphysics and gets rid of the mode of dualism.
美学长期在“形而上学”和“形而下学”压制之下，丧失了自身的特质。
Aesthetics has lost its own distinctive feature under the long-term suppression of metaphysics and physics.
“实践自由”说是一种新的形而上学的美学理论模式，无法说明审美的本质。
Practice Freedom theory "is a new form of metaphysical aesthetic theory that can not illustrate the nature of aesthetics."
“实践自由”说是一种新的形而上学的美学理论模式，无法说明审美的本质。
Practice Freedom theory "is a new form of metaphysical aesthetic theory that can not illustrate the nature of aesthetics."
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