也就是说，我们知道形式主义者们对图像非常着迷，但是这不代表俄国的形式主义者们不能善用图像。
In other words, of course the academicians and the Symbolists were obsessed with imagery, but that's not to say that a Russian formalist can't deal with imagery.
本来，唯美追求源自对形式的看重，强调绘画自律，立足于本体论和形式主义。
Originally, locating on ontology and formalism, aestheticism comes from care for the form, and stresses the self-discipline in drawing.
我恨形式主义，因为形式主义意味着主题的死亡，而主题是做艺术家的唯一理由。
I hate formalism, because formalism implies a death of the subject and the subject is the only reason to be an artist.
形式主义文论以与“材料”相对的“形式”概念的推出骁勇，将审美批评引入到了一个新的境地。
The formalist literary theory takes the initiative to interpret form from a new perspective in parallel with the concept of "material" and pushes the aesthetic criticism to a higher level.
贝尔的“有意味的形式”理论是在形式主义日盛的情况下，对形式与内容矛盾关系的一种调解。
Under the background of the formalism's influence, Clive Bell's theory on the meanningful form is an adjustment for the Contradictory relation between art's content and form.
“陌生化”是俄国形式主义的核心概念，是“形式主义方法”的原则。
"Bestrangement" is the core concept of Russian Formalism and principle of Formalism Method.
形式主义反映了罗马法在内容与形式上的相互限制与融合，它标志着早期罗马法的行为主义模式。
It reflected the restriction and amalgamation of the content and form of early Roman law, and indicated its behaviorism.
作为中国古典文论的特殊样态，中国古代形式主义文论与西方20世纪形式主义文论有诸多相似之处。
As a special mode of Chinese classical critical theory, ancient Chinese formalist critical theory shares a number of similarities with 20th century Western formalist critical theory.
中国古代形式主义文论以感性的类推比附为主要言说方式，西方20世纪形式主义文论则以理性的概念推理为主要批评方法。
The narration of ancient Chinese formalist critical theory relies mainly on sensible analogy, while 20th century Western formalist critical theory resorts more to conception reasoning.
就要式契约而言，在严格形式主义时代，债的效力仅依据特定形式而产生。
In a period requiring strict formality, the effect of the obligation of a formal contract is due to its special formality.
在马克斯·韦伯的形式主义法律观视野中，法的合法性在于法律的形式本身，而哈贝马斯并不赞成对法律范式的研究简单地做“形式”与“实质”的区分。
The legitimacy of law lies in the law form itself in Weber Max eyes. However J rgen Habermas argued against the simple differentiation of the study of paradigm of law as "form and substance".
建筑的形态的生成是环境、功能与形式之间不断磨合的一个过程。并非简单的形式追随功能，或是单纯的形式主义。
Architectural form generation is an ever-running-in process between the environment, function and form. It's not a simple form follows function, or mere formalism.
本文尝试引形式主义叙事学入该作，将形式叙事技巧研究与女性身份问题研究相结合，以揭示作品中女主人公的身份演变历程。
The present study purposes to contribute formalistic narratology to the study of female identity in Maxine Hong Kingstons Woman Warrior.
本文尝试引形式主义叙事学入该作，将形式叙事技巧研究与女性身份问题研究相结合，以揭示作品中女主人公的身份演变历程。
The present study purposes to contribute formalistic narratology to the study of female identity in Maxine Hong Kingstons Woman Warrior.
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