这些（噪音）可以是穿透教室建筑结构的室外活动声、教学活动的声音以及室内产生的其它各种声响，这些声音都会因为房间的回声效果而被放大。
These levels come from outside activities that penetrate the classroom structure, from teaching activities, and other noise generated inside, which can be exacerbated by room reverberation.
白天城市到处都是建筑灰尘和工地上的声音。有人说，晚上这座城市最漂亮。
The swirl of construction dust and sound of jackhammers can be overwhelming during the day. Some say the city looks best at night.
灰色的 粉尘积了厚厚几英尺，在落地前就像纽约的雪，低沉又空旷的声音在建筑里回响，在烟雾中消散。
Sounds were both muffled and magnified, echoing off buildings, softened by the smoke.
他感觉到陈旧的灰烬的气味，用新的关注意识和清晰的思维来检查他周围建筑物的外壳，并听到一个以前不曾有的特别的声音。
He perceives the scent of old ash, examines with new care and clarity the husks of the buildings around him, and hears a particular sound that was not there before.
但一个规模弱小却声音响亮的群体保持着对建筑和自然环境相互影响的兴趣。
Nonetheless, a small but vocal group maintained interest in the interplay of the built and natural environments.
“我可以听到你说话，”布什说，“世界其它地方都可以听到你说话。不久，撞毁这些建筑的人将会听到我们大家的声音。”
"I can hear you," Bush said. "the rest of the world hears you. And the people who knocked down these buildings will hear all of us soon."
“我们考虑过，如果有反对的声音，那么我们就展示拉辛的建筑历史，”Johnsen先生说道。
"We were prepared, if there was opposition, to show that Racine has an architectural history," Mr. Johnsen said.
如果你嗅到了煤气味或听到了咝咝的声音，打开一扇窗户并快速离开建筑物。
If you smell gas or hear a blowing or hissing noise, open a window and quickly leave the building.
一个新的幽灵岛设置完成新的敌人，新的植物，新的装饰物，新建筑，新的环境声音和音乐和更多。
A new spooky island setting complete with new enemies, new plants, new decorative objects, new buildings, new ambient sounds and music and more.
雨打到地面或者建筑物的声音真的很吵，它打扰到我了，害得我都没办法集中精神写作业。
The sounds of the rain hitting the ground or buildings is pretty noisy, it bothers me that I can't concentrate myself on my homework.
我在一阵余震的晃动下醒来，周围响起建筑物坍塌的声音。
An aftershock jolted me awake with the thud of collapsing buildings.
这些是我在观察台北后，以抽象的方式诠释其建筑、灯光、声音、动作及天气。
These are my observations of Taipei City expressed as abstract interpretations of architecture, light, sound, movement and weather.
与此同时，刺耳的声音从身后传来，陆战队们朝建筑物开火了——建筑物临街面消失在大量混泥土碎片和碎玻璃中。
At that same moment a terrible cacophony erupted behind them as her squadmates opened fire on the building—its facade disappearing behind a cloud of pulverized concrete and shattered glass.
该设计利用中央花园的灯光，周围建筑的阴影和溪水滴落的声音，营造了一个宁静、冥想的氛围。
It generates a tranquil as well as meditating atmosphere together with the light poured into the central garden, the shadow from the surrounding building and the sound of water falling from the creek.
他的声音隆隆地发出盖过人群，又被周围的建筑反弹回响起来。
His voice boomed out over the crowd and reverberated against the surrounding structures.
有了这个计划，您将能够发挥在电话交谈中不同的声音，如：声音的街道，交通堵塞，建筑工地，园林，机场等。
With this program you will be able to play different sounds during a phone conversation, ie: sounds of street, traffic jam, building site, garden, airport etc.
作为这个展览的主要概念，“运动”在这里具有多种含义，既是实体的也是声音的，既是主体的也是客体的，既是雕塑的也是建筑的。
Here "motion" — the central concept of the project — has multiple meanings. What is set in motion is something both physical and sonic, subjective and objective, sculptural and architectural.
这一概念认为，吸引力，声音，历史上显著，可能已经失去原有的功能，可重复使用的新用途的建筑物。
This concept holds that attractive, sound; historically significant buildings that may have outlived their original functions can be reused for new purposes.
这是一项重要的节能措施，使得建筑无需采用管道和机械装置通风，这些设备不论在视觉上还是声音效果上都会干扰员工的工作环境。
This represents major energy saving and frees the building of the tubes and machinery, which visually and acoustically interfere in the workers' environment.
用一面屈曲板纠正因现有建筑所产生的声音失常，达到保证声音悦耳之目的。
Acoustic comfort guaranteed by a flexible panel that corrects the aberrations resulting from existing architecture.
飞机撞到建筑物的顶部，发出刺耳的声音。
它创造了一个“wall - free”建筑内光、声音和物质，根据他们的内在品质的范围界定的空间。
It creates a "wall-free" architecture within which light, sound and matter, according to their inherent qualities define the limits of the space.
罗伯茨：“他们认真检查了该建筑的结构，并谈到了检查结构时的声音。我的意思是，他们从没见过像该校舍一样结构保持完好的建筑。”
AMY ROBERTS: "And they went through it and they talked about how sound it was and how, you know, I mean, they'd never seen anything like this."
美国建筑师协会会员菲利斯兰伯特是《美国施格兰密斯建筑》的作者，也许他说的话对密斯项目来说是最权威的声音，他清楚地阐述自己的观点：“别碰房子。”
Phyllis Lambert, hon. FAIA, the author of Mies in America and Building Seagram, and perhaps the most authoritative voice on Mies' work, states her preference plainly: "Don't touch the house."
美国建筑师协会会员菲利斯兰伯特是《美国施格兰密斯建筑》的作者，也许他说的话对密斯项目来说是最权威的声音，他清楚地阐述自己的观点：“别碰房子。”
Phyllis Lambert, hon. FAIA, the author of Mies in America and Building Seagram, and perhaps the most authoritative voice on Mies' work, states her preference plainly: "Don't touch the house."
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