论述了色彩心理对人的影响，以及如何运用色彩的心理错觉调整建筑空间与造型，改善环境气氛，增强建筑环境的表现力。
It also explains how to use color psychological illusions to compromise architectural space and model, to improve the environmental atmosphere and enhance the expression of architectural surroundings.
通体覆盖的白色哑光金属饰面材料很好地使建筑与环境之间这种既相区别、又保持对话的关系更加具有表现性。
The white matte metal skin covering the whole building makes the certain relationship of difference but keeping communication between the building and environment become more expressive.
于是，在拥有环境和建筑空间的特征和制约的因素中，如何使之能够表现得更接近于理想化的生活场景，便成为本文对这一课题的思考与回应。
So, within the factors of characteristic and restriction of environment and architectural space, how to make the design closer to an more idealized life scene is the major topic of this thesis.
建筑是城市的主要表现形式，城市的生态环境与建筑密切相关。
Buildings are the main feature of a city. Urban environments are mostly relative to buildings.
建筑师旨在使用材料将建筑与周围环境融合，并以现代建筑语汇表现地域建筑特色。
The architects aimed to use materials that would help the building blend with the surroundings and provide a contemporary take of the region's vernacular.
本文把色彩学构图学方面的理论与建筑效果图相结合起来，用来表现建筑的质感和环境感觉。
This article unifies the chromatics composition study aspect theory and the building effect chart, USES for to display the construction the sense of reality and the environment feeling.
这些区域的单一性表现在互补单一的隐含配置、文化规范、以及日益取代不均一的替代方案的建筑与建成环境等方面。
The homogeneity of this zone is reflected in complementarily homogenous embodied dispositions, cultural norms, buildings and built environments that increasingly displace heterogeneous alternatives.
同时我们也不能脱离建筑与室内环境来谈漆艺文化艺术，因为建筑与室内空间是其存在和表现的舞台。
Meanwhile, the practice of separating the Japan art and culture from the interior surroundings is not appropriate either, for the interior space is the scene of its existence and representation.
同时我们也不能脱离建筑与室内环境来谈漆艺文化艺术，因为建筑与室内空间是其存在和表现的舞台。
Meanwhile, the practice of separating the Japan art and culture from the interior surroundings is not appropriate either, for the interior space is the scene of its existence and representation.
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