在可能会误导儿童观众的广告手法中,“制造幻想”是较常见的手法之一。
Fantasy is one of the more common techniques in advertising that could possibly mislead a young audience.
该图像显示一面假想的办公室墙壁,是为多媒体体验观众创建的,以幻想成实际的办公室墙壁。
This image shows a faux-office wall that creates for the Multimedia Experience audience the illusion of a real office wall.
BillHicks,一个不停抽烟的喜剧演员,爱上了愚弄他的不吸烟的观众所持有的“永恒生命的幻想”。
BILL HICKS, a chain-smoking comedian, loved to ridicule the “eternal-life fantay” of the non-smokers in his audience.
他的想法蔓延到了生活当中,混乱的现实世界和荒诞的幻想向观众展现了一个爱情故事,也是对现代消费方式的一次生动批判。
His thoughts spill out into everyday life, blurring reality with grotesque fantasy to present a love story - and a vivid critique of modern consumption.
我发现,“语言的真人大小的幻想”让我来与一个非常大的观众。
I have found that the "language" of life-size illusions allow me to communicate with a very large audience.
李利措辞巧妙的对话启发了他,他以李利所大的活力写出《爱的徒劳》,是一部主题和风格可以感染最有教养的观众的幻想作品。
Lyly's witty dialogue inspired him, and with vigour unknown to Lyly he wrote Love's Labours Lost, a fantasy of which the subject and the style appealed to the cultured section of the public.
舞台探戈称为“幻想探戈”,它比社交探戈具有更多的戏剧表演性和夸张性,只因观众看到的表演是源于其幕后的排练而成。
Stage tango is called "fantasia" and is more theatrical and exaggerated than social tango for the simple reason that the audience must be able to see it performed from the back row.
“我发现,”语言“的真人大小的幻想,让我沟通一个非常大的观众。”
I have found that the "language of life-size illusions allow me to communicate with a very large audience."
在最近的电影《非常完美》(又名《苏菲的复仇》)中,章子怡摇身一变,饰演一个满脑子幻想的漫画家苏菲,观众们将会看到一个全新的章子怡。
Zhang Ziyi takes her first turn as a cartoonist scorned in her latest film "Sophie's Revenge". viewers will see a different Zhang Ziyi in her first comedy.
公演的特征还包括将整个会场都设定为幻想世界的舞台,仅是坐在观众席上也能成为故事的“参与者”。
During performances, the entire venue is transformed into a stage upon which the world of fantasy descends, and audience members are able to participate in the story by merely being present.
公演的特征还包括将整个会场都设定为幻想世界的舞台,仅是坐在观众席上也能成为故事的“参与者”。
During performances, the entire venue is transformed into a stage upon which the world of fantasy descends, and audience members are able to participate in the story by merely being present.
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