她是一位“乐善好施的好心人”，拥有布莱希特戏剧中坚信能在黑暗世界中行善的“勇气妈妈(Mother Courage)”那样的天性。
She was a "good Samaritan" with a "Mother Courage" nature, referencing the Brecht character who believes she can do good in a bad world.
布莱希特与中国戏剧是一种“双向互动”的关系。
There is an interactive relationship between Bertolt Brecht and Chinese drama.
本文论述了布莱希特与梅兰芳两位现实主义大师，运用的戏剧手段却各有巧妙不同。
This article discusses that Brecht and Mei Lanfang are two great masters of realism, yet each has his own ways and methods of expression.
布莱希特运用他的叙事戏剧理论旗帜鲜明地反对传统悲剧中的净化与共鸣思想，但并不反对戏剧的悲剧性。
By using his theory of narrative drama, Brecht was unequivocally opposed to the traditional tragedy of the purification and resonance of thought, but not opposed to the tragic of drama.
《大胆妈妈和她的孩子们》是布莱希特叙事戏剧的代表作之一。
Bold Mother and her Children is one of Brecht's master pieces of narrative drama.
“陌生化理论”来自于俄国形式主义，是布莱希特戏剧理论的代名词。
"The Alienation theory" came from Russian Formalism, which is the synonym of Brecht's theatre theory.
本文认为，布莱希特的陌生化作为戏剧理论包含陌生化效果和陌生化技巧两大基本部分。
The article holds that as a kind of theatre theory, brecht's Alienation Theory includes two parts:alienation effect and alienation technique.
德国戏剧大师布莱希特在创作中十分注重借鉴吸收中国戏曲艺术的营养成分。
German drama master Brarite intends to make a referential use of the advantages of Chinese drama.
文章论述了佐临“写意戏剧观”的形成与布莱希特戏剧体系的关系。
The article discusses the relationship between the formation of Zuolin's 'Xieyi theatrical Concept' and Brecht's theatrical system.
布莱希特戏剧理论的最基本特征是：主张演员和角色之间、观众和演员之间、观众和角色之间必须保持一定的距离。
The most fundamental thing in Brecht s theory of drama was his conviction that a certain distance must be maintained between actors and characters, audience and actors, audience and characters.
布莱希特戏剧理论的最基本特征是：主张演员和角色之间、观众和演员之间、观众和角色之间必须保持一定的距离。
The most fundamental thing in Brecht s theory of drama was his conviction that a certain distance must be maintained between actors and characters, audience and actors, audience and characters.
应用推荐