宋代工笔人物画风格写实，人物造型生动。
In the Song Dynasty exquisite brush portrait style is practical, and the character is vivid.
在新中国建立初期工笔人物画又经历了曲折的探索过程。
The fine brushwork figure painting goes through a flexuous exploration process . 3.
而当代的工笔人物画早已不再拘泥于传统的绘画式样、题材。
But the contemporary exquisite brush portrait already no longer rigidly adheres to the traditional drawing model and theme.
第四章探讨“今昔对比”对中国工笔人物画创作的指导意义。
The fourth chapter discusses the purpose of "comparison of past and present" to the creation of Chinese exquisite brush portrait.
为了方便叙述文中将这些作品统称为当代工笔人物画“新面貌”。
We call these paintings as the"new features"in this article for convenience narration.
此时的工笔人物画以柔弱为美，失去了隋唐时期的恢弘博大的气势。
At this time exquisite brush portrait takes delicately as beautiful, and loses broad great imposing manner comparing with the Sui and Tang dynasties time.
我国除了一部分花鸟画外，大部分山水画、工笔人物画的色彩都是平面的。
In addition to our part of Flowers and Birds painting, most landscape painting, figure painting Meticulous colors are flat.
当今时代，文化的多元共生成为新的潮流，这为工笔人物画的复兴提供了契机。
The present era, the cultural multi-dimensional paragenesis becomes the new tidal current, this has provided the turning point for the exquisite brush portrait's revival.
现代工笔人物画造形大多采用西方素描的再现方法，忽视了我国传统绘画的意象表现。
Modern figure painting shading mostly adopts the western sketch reproducing method, and has ignored the image representation of Chinese painting tradition.
具有装饰性特征的工笔人物画使绘画的内容和形式紧密结合，体现了独特的艺术个性。
With the decorative features of fine brushwork painting portraits so closely with the content and form, reflecting the unique personality of art.
本文就此问题将对中国传统工笔人物画和陈洪绶人物画以及曾鲸人物画，作具体的分析。
The thesis aims to analyze the Chinese traditional figure painting, the figure painting of Chen Hongshou and the figure painting of Zengjing.
对于人物的描摹，朱伟则摆脱了传统水墨工笔人物皆是全身而不可局部、不可特写的旧规条。
In drawing figures, Zhu Wei has broken away from the traditional meticulous figure painting rules that figures have to be in full length but not part, and no close-up.
“院中人绝品也”，刘松年的工笔人物画可以说是南宋人物画的一个缩影，代表了他那个时代的最高水平。
It is safe to say that his meticulous figure painting is the epitome of those in the Southern Song Dynasty, which represents the top level of his times.
他的工笔人物画造型严谨，刻画入微线条流畅，刚健爽朗，风格清闲，完全摆脱了旧人物仕女画柔靡琐细的积习。
His fine brushwork rigorous modeling portraits, portrait of attention fluid lines, robust hearty, free-style, completely out of the old ladies painted figures Sophie inveteracy trivial detail.
本文试图通过分析“平民化”的特点在宋代工笔人物画中的主要表现，探讨其成因，最后归结出其对当代工笔人物画的影响。
This article discussed the cause of the civilian , and Gongbi portraitist which showed"the civilian"had impact on modern time by analysis the characteristic of civilian in Song dynasty.
而对现当代中国工笔人物画造型风格的归类，主要选择既秉承传统，又创造性借鉴各种现代绘画技法的一些代表画家和作品。
Instead of contemporary Chinese painting style manners, choose the classified as reference, and creative take traditional painting techniques of some representative modern painters and works.
工笔的运用使得人物画更加逼真。
The use of gongbi style resulted in more lifelike figure paintings.
在绘制方面，采用了工笔线描绘，充分刻画了人物面部微妙的喜怒哀乐感情。
In the drawing, the use of fine brushwork lines painted, fully portray the characters face the delicate feelings of anger.
于中国画人物，山水，花鸟，鱼虫，走兽，工笔，无所不能，无一不精。
In Chinese painting figures, landscapes, flowers, birds, fish and insects, animals, fine brushwork, he will not draw nothing, nothing bad is his painting.
但是，近于工笔式的写作手法，与现实拉开距离的苦难题材，颇有些神化的人物形象塑造，也成为曹文轩创作的缺失之处。
But his way of writing like fine brushwork, hardship themes which are far away from realism, and the mythical figures he establishes also become his defect.
明清时期的工笔画受到文人画的影响，如：陈洪绶在他的人物作品之中也透露出写意之风。
But in Ming and Qing Dynasties brush portrait is impacted by literati painting, for example: Chen Hongshou also reveals itself abstractly in his works.
明清时期的工笔画受到文人画的影响，如：陈洪绶在他的人物作品之中也透露出写意之风。
But in Ming and Qing Dynasties brush portrait is impacted by literati painting, for example: Chen Hongshou also reveals itself abstractly in his works.
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