毕竟你也许是一个真正的尼采主义者，比我想的还要纯粹，这样的话，讲授尼采终归是正确的决定——因为讲授尼采本身就是对听众意志的考验。
After all you are perhaps more of a Nietzschean than I thought, and it may after all be right to lecture on Nietzsche - because it is so cruel.
这些观点将尼采带入与某些，神秘主义和泛神论的和谐中。
Now these ideas bring Nietzsche into harmony with certain mysticisms and pantheisms.
多元主义，我认为不存在威胁,对我所阐释的尼采的一元论。
So the pluralism by itself, I think, doesn't pose a threat to my account of Nietzsche's monism.
所以在这一点上尼采的观点与实用主义论相符，与Prose的想法相同，他说“没有了符号我们就没有了思考的能力。”
So Nietzsche's conception accords with that of pragmatism at this point above all with the position of transcended Prose, quote: we have no power of thinking without signs.
他将这种态度命名为“爱命运(amor fati)”(具有讽刺意味的是，正是尼采自己过着、并实践着，叔本华和瓦格纳所谓的那种“放弃意志”的禁欲主义式生活！)
He christened this attitude 'amor fati'. (Ironically, it was Nietzsche who led an ascetic life while neither Schopenhauer nor Wagner seemed to have practiced the 'renunciation of the Will'!)
相反针对意识和精神尼采则是一名“现实主义者。”
Nietzsche by contrast is a realist about consciousness and mind.
尼采当时对现实主义者说,不可能从我们现在的意识中提取,之前数千年的动物性的积累的沉淀,以及文化经历。
Nietzsche is saying to the realists then that it's impossible to extract from our current awareness the sedimentations accumulated over millennia of previous animal as well as cultural experience.
然而，尼采最终抛弃了 “李主义”，因为这种方法不足以完成他“重估一切价值”的任务，代替这种“历史认知论”的，是尼采独创的道德谱系论。
Yet, he eventually came to criticise and reject 'Réealism' as inadequate to the task of a radical 'revaluation of values', and replaced the 'historical approach' with his own genealogy of morality.
这似乎说白了也就是自由意志主义者：只不过是包装成商会成员的尼采。
This might sound like libertarian boilerplate: Nietzsche repackaged for the Chamber of Commerce crowd.
鲁迅的拿来主义精神是为了综合提升文化，尼采对文化的态度也是提倡综合。
The idea of Lu Xun's "the bringing principle" aims to promote comprehensively the cultural achievements, and Nietzsche's attitude to culture also advocates a comprehensive promotion.
尼采审美主义源于对叔本华哲学和古希腊哲学的独特体悟。
Nietzsche's aestheticism originates from his special understanding of Schopenhauer's philosophy and ancient Greek philosophy.
尼采主张对人生的审美态度，提出了“强力意志”、“酒神精神”等命题，但是其审美主义致力于“审美形而上学”而忽略生活。
Nietzsche advocates an aesthetic attitude to life and puts forward ideas of "will to power" and "the Dionysian spirit", but he thinks highly of "aesthetic metaphysics" and neglects life.
调查结果并没有让德国人感到意外。专家指出，自尼采时代以来，悲观主义文化已经成为这个民族的“喜好”。
The survey appears to have surprised nobody in Germany, where cultural pessimism has been a national hobby since the time of Nietzsche.
杰克·伦敦是一个思想意识非常复杂的作家，但在创作思想上对杰克·伦敦影响最大的却是赫伯特·斯宾塞的社会达尔文主义和尼采的超人哲学。
Jack London's ideology is complicated. However, the ideas guiding his literary creation are deeply influenced by Social Darwinism of Herbert Spencer and Superman of Friedrieh Nietzsche.
剧本这一人文关怀的深层意蕴来自对弗洛伊德本能理论、叔本华和尼采唯意志主义的认同和改造。
This implication of humanistic concern comes from o 'neill's acceptance and reform of Freud's theory of Unconsciousness and Voluntarism of Schopenhauer and Nietzsche.
在文章里，尼采似乎对犹太人说重话，事实上却是轻蔑反犹太主义论。
Nietzsche seems to have harsh words for the Jews in this text but he was in fact scornful of anti-Semitism.
二人均深受到现代主义哲学家和思想家的影响，如尼采、达尔文、弗罗伊德、帕格森等。
Both Lu Xun and Sherwood Anderson have been deeply influenced by modernist philosophers and thinkers such as F.
论文第一部分主要梳理了尼采对虚无主义五大类型的批判。
The first part of the thesis mainly analyzed five kinds of nihilists.
尼采以视角主义为杠杆，以人类生命为目的，以不贬损正当的科学理性为前提，对实证主义科学进行了无情的揭露和批判，从而开启了现代西方哲学史上反科学主义的思潮。
By means of perspectivism, keeping human life as the ultimate aim, not undermining the legitimate science being the prerequisite, Nietzsche exposed and criticized positivistic science ruthlessly.
总的来说，尼采的“非理性主义”和权力意志理论对心理学人文科学路线产生了深刻的影响。
In a conclusion, Nietzsche's irrationalism and the theory of the will to power has a deep influence on the humanistic science approach of western modern psychology.
尼采认为，这种柏拉图主义会使人们意志消沉，从而陷入“虚无主义”。
Nietzsche considered that this kind of Platonism could make people so depressed that people will fall into "nihilism".
心理学家弗洛伊德、尼采对奥尼尔思想上的影响是巨大的，同时，奥尼尔的戏剧又与表现主义戏剧有千丝万缕的联系。
Psychologist Floyd, Nietzsche enormously influenced o Neal's thought, meanwhile, o 'neal's drama has countless contacts with expressionism drama.
在审美主义的历史流变过程中，尼采的影响是巨大的。
During the course of aestheticism development, Nietzsche gave a tremendous influence to it.
尼采虽然接受了叔本华悲观主义的前提，却得出了完全相反的结论。
Although Nietzsche accepted the premise of Schopenhauer's pessimism, they reached a completely opposite conclusion.
尼采被视为后现代主义哲学的先驱，与其哲学的反本体论倾向有着必然的联系。
Nietzsche has been regarded as the precursor of post-modernist philosophy, which is related with his inclination of philosophical anti-ontology.
一直以来，“道德主义与审美主义”的对立是学界对待卢梭和尼采思想关系上的理论取向。
The relationship of Rousseau's and Nietzsche's thoughts has all the time been discussed from the opposition between "moralismand aestheticism"in the academic circle.
尼采的审美现代性思想对20世纪的存在主义和后现代主义有着深远的影响。
Nietzsche's aesthetic modernity influenced existentialism and postmodernism deeply in the 20th century.
尼采看到了现实社会中的种种痛苦与不合理，也看到了人们沉溺于盲目的乐观主义当中生命力在慢慢消逝。
Nietzsche had seen the various pain and unreasonableness in the realistic society as well as the gradual fading of vigor when people indulged in the unfounded optimism.
在尼采与后现代主义哲学的传承逻辑上来看，最主要的是一种开放性思想与理论精神的延续和扩展。
The logic of inheritance between the philosophic thinking of Nietzsche and the postmodernism thought was- the most important one-opened mind and the development of theoretical spirit.
在尼采与后现代主义哲学的传承逻辑上来看，最主要的是一种开放性思想与理论精神的延续和扩展。
The logic of inheritance between the philosophic thinking of Nietzsche and the postmodernism thought was- the most important one-opened mind and the development of theoretical spirit.
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