叙述从多方面影响着小说文体的审美特性。
The paper points out that narration has divergent influences on the aesthetic features of fiction style.
本论文试图对张爱玲后期小说文体进行研究。
This thesis seeks to study the style of Eileen Chang's novels in the later period.
按照中国古代小说标准,此类短文属志怪范围的小说文体。
This article thinks that according to the Standard of ancient Chinese novel, this kind of short stories belong to mythical stories.
而小说文体成熟的重要标志之一就是小说创作审美追求的定型。
And the ripe important sign of novel is that novels create aesthetic pursuit to finalize the design.
作家往往是在写非小说文体,尤其是散文或演讲的时候用这种方法。
Writers practice argument most often when writing nonfiction, particularly essays or speeches.
小说的叙述风格和结构方式也呈现了作家对此前小说文体的某些超越。
To a certain extent the fiction's narrative style and structure surpass the writer's early works.
对时间与空间形式的分别展开,成为长篇小说文体结构变革的两种姿态。
To spread out Time Form and Spacial Form respectively, we can know the evolution process of style.
鲁迅的内倾型性格决定了他采用小说文体,以含蓄的方式来表现内心世界;
It is Luxun's introversive character that makes him express his inner world through the style of connotation;
它丰富了小说文体的样式,而且符合(后)现代生活本质与文学发展趋势。
It enriches the novel styles, in accordance with the development tendency of post-modern literature.
郁达夫对抒情小说文体的开创,是特定社会客观环境和作家主动探索的产物。
Yu Dafu s creation of lyric novel is the production with the objective influence of special social environment and the subjective exploration of the author.
他从重主观情感、“表现自我”出发探索中国小说的“现代性”和小说文体性质;
He tries to find out the modernity of Chinese novels and the characters of the novel styles from the view of subjective feelings and self-manifestation.
本文拟从小说文体入手,对19世纪以前的中西游历小说展开文类学的平行研究。
Starting with this, My thesis intend to do some analogy studies of china-west traveling novels before 19th century.
最后得出结论:功能文体学具有很强的操作性,是意识流小说文体分析的有效方法。
It is proved that functional stylistics is effective in stylistic analysis of novels of steam-of-consciousness.
语言是小说艺术的材料、工具或媒介,小说文体的特色和风格首先是通过语言表现出来的。
Language is the materials, tools and media of novel, which shows the styles and the features of the novel.
本文从文学文体学的角度探讨了小说文体中旬法结构的不同种类及其所要实现的文体功能。
This paper discusses the different types of syntactic structures and their stylistic functions in novels from the perspective of literary stylistics.
从小说文体的角度看,游历小说,就是采用“游踪结构”和“游者视点”的一种小说类型。
Be observed with the Angle of novel style, traveling novel is a kind of novel genre which has adopted "traveling structure" and "viewpoint of traveler".
古典小说存在多祖现象,但对古典小说产生影响的诸因素在小说文体形成中所起的作用不同。
Many factor have exerted a influence on the literary form of the classical fiction, but they take different effect .
第二章介绍了《小说文体论》一书中提出的对小说进行文体分析的方法,并以此作为本文的分析模式。
Theoretic foundation is laid in Chapter Two: Leech and Short's method of analysis suggested in Style in Fiction is adopted for the present study.
明代讲史小说文体的兴盛有多方面的原因,本文论述的是建阳刻书对明代讲史小说文体兴盛所起的作用。
The rise and blossom of historical novels in Ming Dynasty had many reasons, among which was the books-printing of Jianyang.
杨红莉博士新近出版的学术专著《民间生活的审美言说——汪曾祺小说文体论》,是一部全面阐述汪曾祺文学特色与意义的力作。
Yang Hongli's newly-published book Civil-life Aesthetic Expression-Wang Zengqi's Novel Style presents a full account of Wang Zengqi's literary characteristics and significance.
在小说文体形式上,超前地运用了戏剧的诸多因素和表现手段,彰显出小说文体戏剧化的互文性特征,拓展了小说文体的审美形态。
In the novel form, it leads the use of drama and performance factors means and underlines fiction style dramatic nature, expanding a novel stylistic aesthetic patterns.
第二节“陌生化”的幽会:着重运用布莱希特的“陌生化”理论来比较解读《故事新编》和《青铜时代》,指出两者在小说文体上都表现出“陌生化”特征。
The second part focus on the similar character of "Verefremdungsefftkt" of Newly-Edited Stories and Bronze Age by the "Verefremdungsefftkt" theory of Brecht.
佛教文化在中土的深入传播,佛经故事虚构性与叙事性在中土叙事传统中的渗入,使得孕育在神话叙事与历史叙事母体中的中古志怪故事开始走向了小说文体的成熟。
The article researches the influencements that narration in Buddhist Scripture had on the style of writing of the mid-ancient Zhiguai stories while Buddhism spread to China in the mid-ancient time.
但是为什么要学习不同的文体,才能理解乔伊斯的小说呢?
But why do I have to study different styles to understand Joyce's novels?
这部小说的文体结构采取的是作者典型的凝练写法:每个章节都能让读者聆听到不同的声音,故事情节一环扣一环,以及时间上的来回交织。
The book is structured in the author’s trademark distilled style, chapters given in turn to each voice, stories building on stories, time weaving back and forth.
我已经写了一部小说并出了一部散文体裁的书。
I’ve written a novel and a non-fiction book. I write this blog.
我已经写了一部小说并出了一部散文体裁的书。
I’ve written a novel and a non-fiction book. I write this blog.
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