“家庭三部曲”是李安电影的经典之作，也是华语电影中不可忽视的电影作品。
"The Family Trilogy", the movie which can not be overlooked in Chinese movie, is one of the classics in Anglee's movies.
结论部分在对“家庭三部曲”进行叙事学分析的基础上，得出李安电影的跨文化叙事主旨。
In conclusive part, conclusion can be draw under the basis analysis to the "the Family Trilogy", which reach the transcultural narrative subject of Anglee's movies.
本文主要利用电影叙事学这一理论话语，从“家庭三部曲”的时空结构入手，剖析电影的真实内核和本质内涵。
This thesis mainly analyzes the Family trilogy's real essence and essential connotation from the structure of space and time, using the movie narrative theory words.
谢泼德被视为当代美国最有影响的剧作家，其家庭三部曲（《饥饿阶级的诅咒》、《被埋葬的孩子》和《真正的西部》）是他的主要代表作。
Sam Shepard is considered to be the most influential American dramatist at the present age, and his family trilogy, The Curse of the Starving Class, Buried Child and True West are his masterpieces.
黄哲伦的＂美国华裔三部曲＂（《刚下船的人》、《跳舞者和铁路》和《家庭忠诚》）探讨了美国华裔在身份认同中矛盾、复杂的心理及意识冲突。
Ellen's Huang "The Trilogy of Americans of Chinese decent " explores the contradictions, complex psychology and conflicts of consciousness of Americans of Chinese decent in recognition of identity.
黄哲伦的＂美国华裔三部曲＂（《刚下船的人》、《跳舞者和铁路》和《家庭忠诚》）探讨了美国华裔在身份认同中矛盾、复杂的心理及意识冲突。
Ellen's Huang "The Trilogy of Americans of Chinese decent " explores the contradictions, complex psychology and conflicts of consciousness of Americans of Chinese decent in recognition of identity.
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