第二章重点论述和凝的《宫词百首》。
Chapter 2 is mainly on He Ning's Collection of Palace poems.
最后一节将和凝词作与其《宫词百首》进行对照，试析二者之关系。
Section 3 compares He Ning's Ci with his Palace poems, in order to find out their relations.
其作品涉及多个题材，有山水、寺庙、酬赠、拜谒、闲居、宫词、乐府、边塞等。
The work involves a number of subjects, there is scenery, temples, reward gift, paid respects, homebound, Palace word, verse, frontier so.
第二，将唐代宫词的繁盛置于中唐文化语境中，讨论唐代宫词得以迅猛发展的原因。
Second, to discuss the reason for rapid development of Palace poems in Tang dynasty under the big environment of Mid-Tang culture.
诗集中有部分乐府、宫词之作，真实记录了盛唐上元灯会等节日盛况，如《正月十五夜灯》等等。
Some poems in verse, the word of the palace as a true record of the Tang Lantern Festival lantern so grand, such as the "Lantern Festival night light" and so on.
第二节对和凝宫词的内容作详细的分类，着重介绍和凝宫词中对于帝王百官及后宫女子的相关描写；
Section 2 classifies He Ning's Palace poems, mainly introduces those contents about emperors, officials and females in the palace.
元诗的艺术渊源主要在于杜诗，另外还受到齐梁宫体以及诗人李白等的影响，从而形成了与白居易词中有异的风格。
Yuan Zhen's poems were closely connected with the poems of Du Fu, and benefited from the poetry of the Qi and Liang Dynasties and from Li Bai...
元诗的艺术渊源主要在于杜诗，另外还受到齐梁宫体以及诗人李白等的影响，从而形成了与白居易词中有异的风格。
Yuan Zhen's poems were closely connected with the poems of Du Fu, and benefited from the poetry of the Qi and Liang Dynasties and from Li Bai...
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