在这里，t.s.艾略特的客观对应物即“寻猎情结”所赋予作品的象征物。
In this case, t. S. Eliot 's "objective correlative" is the symbol assigned by Hunting Complex to the work of art.
他关于“传统”、“非个人化”和“客观对应物”的理论都建立在创作客观性基础上。
His theories about "tradition", "impersonality" and "objective correlative" are all based on the objectivity of literary creation.
在对作家、读者多元复杂性的认识中，在对语言问题的自觉中，“客观对应物”说实际上已在不自觉中被消解。
With the consideration of the plurality of writers and readers, and the complexity of language, the idea of objective correlative is in fact never as useful as ever.
第四章则结合艾略特的文学理论探讨诗人如何运用典故丰富诗中“客观对应物”的内涵，使诗歌纳入传统的积累。
Chapter Four probes into the question of how Eliot has accomplished the remarkable feat of using allusions to make his poems "traditional" and "impersonal".
他的“历史意识”、“非个人化”理论、“客观对应物”等一系列观点，在西方现代文学批评上具有开创和先导作用。
His view of "historic consciousness", "non-personalization" theory, "objective corresponding", etc., have initiative and guiding function in western modern literature comment.
艾略特在诗中以悖论为框架 ，佐以象征手法、内心独白和典故法等 ，反映了他早期的诗歌理论 ，即创作过程“非个性化”和营造“客观对应物”。
Romanticism was counteracted deeply by Keats and Eliot, with " negative capability " and with " impersonality " theory respectively so that their doctrines became the first sign of The New Criticism.
艾略特在诗中以悖论为框架 ，佐以象征手法、内心独白和典故法等 ，反映了他早期的诗歌理论 ，即创作过程“非个性化”和营造“客观对应物”。
Romanticism was counteracted deeply by Keats and Eliot, with " negative capability " and with " impersonality " theory respectively so that their doctrines became the first sign of The New Criticism.
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