在第三章，我们讨论审美超越理论的意义和缺陷。
Chapter there discusses meanings and limitations of aesthetic transcendence theory.
对审美超越范畴进行具体的论证，可以纠正对审美超越的误解。
In order to correct the misunderstandings about the aesthetic transcendence, this article makes a demonstration of the aesthetic transcendence.
在第四章，我们从分析马克思的实践观入手，探讨审美超越理论的归宿。
In chapter four, we probe into aesthetic transcendence theory's final destination by discussing the practical view of Marx.
审美超越理论因其哲学基础和逻辑起点的抽象和空泛，而显示出理论的不足。
Aesthetic transcendence theory shows its shortage because of its abstract and extensive about philosophical basis and logical starting point.
小说维度纯文学观的审美超越性，形成其区别于通俗小说的显著的时代特征。
Modern novels, marked by aesthetic transcendence characteristic of pure literature in modern times, are different from popular novels.
第三章，从“忧患意识”和“大”之精神来揭示孔子思想审美超越性的原因。
The third chapter is to reveal the reason of Confucius' aesthetic transcendence, from "sense of worriness" and spirit of "loftiness".
这一章中，从文本角度以及微观的审美特质两个方面来探讨广告文化审美超越的可能性。
This chapter, the perspective from the text and the aesthetic characteristics of micro-two aspects of advertising culture to Investigate the possibility of aesthetic transcendence.
在第二章，我们主要探讨后实践美学中的审美超越理论对西方当代哲学美学的借鉴和吸收。
Chapter two mainly discuss, in post-practical aesthetics, aesthetic transcendence theory's using and drawing on experience of western contemporary philosophical aesthetics for references.
此外，本文从广告文化的审美效果出发，从四个方面详细去分析广告文化审美超越的现实可能性。
In addition, this article from the aesthetic effect of advertising culture, and from four aspects to the analysis of advertising culture, the real possibility of aesthetic transcendence.
审美超越借鉴法兰克福学派的社会批判理论，通过对社会的否定、批判来维护对人的存在和生命意义。
Aesthetic transcendence USES Frankfurt School's socially critical theory and maintain man's existence and life meaning by negating and criticizing society.
审美超越是个体性与社会性在生成论意义上的有机统一，超现实主义等现代艺术活动对此提供了有力证据。
Aesthetic transcendence is an organic unity between individuality and sociality in the sense of becoming, for which modern artistic activity like surrealism has provided a convincing evidence.
把悲情转化为力量乃至美感并产生审美愉悦，最终实现纪实灾难影像审美超越与升华的理想的“彼岸”和境界。
The grief into strength and beauty, an aesthetic joy, and finally over and lifted to the "shores" of ideal.
另一种则可称是以摆脱人生苦痛、追求人生解脱和超越的悲观唯意志论，在王国维的“解脱”与“游戏”的文艺观中体现，使文学观念向审美超越的层面迈进。
Another one kind which based on break away from pain and pursue transcendent , can called pessimistic voluntarism , reflect concertratly in "absolve" and "recreation" of Wang Guowei's theory .
审美批评是一种总和判断，超越了单纯的道德判断和认识判断、形式判断。
Aesthetic critique is a general estimation beyond the single moral judgement as well as cognitive and formal ones.
他们的儿子是位建筑师，鼓励他们超越传统审美，创建定制的当代住宅，他能帮助父母建造这样的住宅。
Their son, a builder, encouraged them to push beyond their traditional aesthetic and create a custom, contemporary home - something that he could help them build.
但是一旦我们注意到这点，我们便希望你们能超越审美，完全专注你正在看的是什么，思考它对于我们星球意味着什么。
However, once we have that attention, we hope you will go beyond the aesthetics, contemplate just exactly what it is that you're seeing, and consider what that means for our planet.
达利用他的生命挑战既定的概念，颠覆和勇气，超越传统的审美和社会价值观念。
Tatsu the use of his life challenges the established concept of subversion and the courage to go beyond the traditional aesthetic and social values.
鉴赏，是文学价值实现的必不可少的关键环节；而审美自由与超越是文学鉴赏得以展开的基本前提。
Appreciation is an indispensable key link in the realization of the literary values of a literary work; aesthetic freedom and transcendance is the prerequisite for literary appreciation.
设计审美教育方法是超越与回归的双向互动。
So the methods of aesthetic education of design are outdoing and recursive interactivity.
美、审美、创美的超越性特征具有内在的逻辑联系。
There is an inherent connection among beauty, esthetic judgment, and beauty creation.
人生的领悟——生与死三个方面来论述“超越”是孔子的审美化生存方式。
From these three respects, the first chapter of the article discusses that transcendence is the aesthetic living style of Confucius'.
艺术和审美通过虚构的审美形式实现对现实的否定和超越。
By means of imaginary aesthetic forms, art and aesthetics deny and surpass the reality.
以这些模式为代表的许多文化往往都超越国界来展现各个地区不同的审美。
The many cultures represented by these patterns often transcend national boundaries to represent regional aesthetics.
作为精神慰藉与超越，这一乌托邦式“自然”人生理想与体验自由的审美情感本质暗通，遂升华为一种“鸢飞鱼跃”的诗学境界。
As a kind of spiritual consolation and transcendence, this Utopia realm of life is interlinked with the aesthetic feeling essence of experiencing freedom and thus is sublimated to the poetic realm.
数码图形艺术已经超越了传统的主、 客相对式的审美方式，在很大程度上实现了欣赏层面的主、 客互动和情景交融。
The art of digital graphics has surpassed the traditional aesthetics of setting subject against object, and realized the interactivity and blending of subject and object.
审美创造的动力为情感、想象和超越。
The motivity of aesthetic creation is sentiment, imagination and transcendence.
在中国文化史上第一次在审美领域里把“生可以死，死可以生”的至情激扬到超越传统意识的高度。
For the first time in the history of Chinese culture the absolute love had been exalted to an unsurpassing level beyond traditional cognition.
在对传统审美要素的超越和对实用性的克服的基础上，作品才能通达存在自身，一个生存的世界才得以敞开。
On the basis of surpassing the classical esthetic elements and overcoming the practicality, the work can reach Being itself, a world of existence can be uncovered.
王国维的“境界”说，是对其所研究与信奉的“审美”视域的学术超越；
Wang Guowei's idea of "the Plane Attained" reflected his academic transcendence over the "aesthetic experience" perspective upheld by him.
文学虚构不但能够满足人类的审美交流需要，还能满足我们超越现实、超越自我和扩展自我的需要。
Fictitiousness meets not only the need of human aesthetic communication but also the need of transcending the reality and the self and expanding the self.
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