“审美无利害性”是康德作为“质”的契机来规定美的。
Immanuel Kant defined "disinterestedness in aesthetic appreciation" as the moment of "quality" in beauty.
在美的特质论中，康德确立了审美的无利害、无概念的普遍性、无目的的合目的性和无概念的必然性，从而奠定了主体性美学思想的基础。
On his theories about sublimity, Kant especially stressed the value of subject, laid particular emphasis on publicizing the power of subjective reason and awakening the inner moral spirits.
在美的特质论中，康德确立了审美的无利害、无概念的普遍性、无目的的合目的性和无概念的必然性，从而奠定了主体性美学思想的基础。
On his theories about sublimity, Kant especially stressed the value of subject, laid particular emphasis on publicizing the power of subjective reason and awakening the inner moral spirits.
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