审美人类学是人类学和美学在当代学术背景上跨学科交融的产物。
Aesthetic anthropology is the result of cross-disciplinary interaction between anthropology and aesthetics against the contemporary academic background.
中国审美人类学研究源于中国美学和中国人类学中对民族民间文学艺术的共同关注。
The study of aesthetic anthropology in China originated from the common concern of Chinese aesthetics and Chinese anthropology with national folk culture and art.
席勒对于“美的艺术的本质就是外观”所作的论述,充分显示了他的审美人类学观点。
Schiller's statement that "the artistic essence of beauty is the outer appearance" is a full demonstration of his esthetic anthropology.
在研究方法上,审美人类学也应更多地从美学的角度着眼,对残存文化进行富有特色地研究。
As far as research methods are concerned, aesthetic anthropology should conduct special research into remnant culture from the perspective of aesthetics.
审美人类学以全球化背景下,弱小民族和边缘群体的审美文化的变迁和艺术实践活动为研究对象。
Aesthetic anthropology studies, in the background of globalization, the changes of aesthetic culture and art practice in small and weak nations and marginal groups.
笔者认为,在实现美学和人类学方法结合的具体实践中,我们有必要吸收借鉴国外审美人类学研究的前沿成果。
In my opinion, it's essential to study foreign aesthetic anthropology on the method of an anthropological approaching to the study of aesthetic preference.
笔者认为,在实现美学和人类学方法结合的具体实践中,我们有必要吸收借鉴国外审美人类学研究的前沿成果。
In my opinion, it's essential to study foreign aesthetic anthropology on the method of an anthropological approaching to the study of aesthetic preference.
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