本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
审美创造主体论是巴赫金美学思想的核心，涵义结构复杂，但这个结构整体上却有鲜明的特征：一体双义。
The theory of aesthetic creative subject is the core of Bakhtin's aesthetic idea, with a complex structure of meanings and an outstanding characteristics of "double meanings in a body".
审美本体论是主体性实践哲学的总结形态。
Aesthetic ontology is the concluding formation of subjective practical philosophy.
论文展示了唐五代北宋词学思想的基本内容：词体特性论、词体功能论、创作主体论、创作论以及词学审美理想。
The thesis has also revealed some basic ideas of those thoughts: the characteristic, functional, subjective and creative theories of Ci, and its aesthetic ideal.
在美的特质论中，康德确立了审美的无利害、无概念的普遍性、无目的的合目的性和无概念的必然性，从而奠定了主体性美学思想的基础。
On his theories about sublimity, Kant especially stressed the value of subject, laid particular emphasis on publicizing the power of subjective reason and awakening the inner moral spirits.
同时，本文作者认为翻译主体审美论为解决译坛上对直译还是意译这一争论提供了一个新的视角。
This article, for the author's part, also leaves the implication of providing a new perspective for dealing with the argument about literal translation and free translation.
同时，本文作者认为翻译主体审美论为解决译坛上对直译还是意译这一争论提供了一个新的视角。
This article, for the author's part, also leaves the implication of providing a new perspective for dealing with the argument about literal translation and free translation.
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