对审美主体性的阐释是现代美学研究的一个核心性主题。
The explanation of the aesthetic subject is the core topic of aesthetics.
然而，目前对译者主体性的研究主要集中在译者能力、修养、品格的讨论，而对于译者的审美主体性的研究尚不多见。
At present, however, the focus of the study on translators is mainly on theirs abilities, accomplishment, and qualities, rather than their subjectivity in aesthetic appreciation.
本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
为此我们应重新高扬主体性美学，恢复审美对人类心灵的铸造意义。
For this reason, we should again uphold high the subject aesthetics and recover the casting meaning of aesthetics to human soul.
审美本体论是主体性实践哲学的总结形态。
Aesthetic ontology is the concluding formation of subjective practical philosophy.
与＂表现说＂思想的相适应的总体形式观念可以用＂审美形式＂来概括，它在性质上是一种＂主体性关系话语＂。
This paper generalizes the total conception of artistic form as aesthetic form. It argues that the nature of artistic form is a relation discourse of subjectivity.
深刻领悟原诗的艺术精髓，同时充分发挥译者的主体性地位是中国古诗英译审美再现的关键所在。
Therefore, the key to the aesthetic reproduction is that translators should comprehend the essence of original poems deeply and bring the subjectivity into full play.
东坡词；美学；译者主体性；审美移情；移情障碍；
Su Shi's Ci-poetry; Aesthetics; translator's subjectivity; aesthetic empathy; empathetic obstacles;
在美的特质论中，康德确立了审美的无利害、无概念的普遍性、无目的的合目的性和无概念的必然性，从而奠定了主体性美学思想的基础。
On his theories about sublimity, Kant especially stressed the value of subject, laid particular emphasis on publicizing the power of subjective reason and awakening the inner moral spirits.
丑的审美形态是西方近代主体性精神的产物。
The appearance of ugly aesthetic form is the outcome of the western modern master spirit.
与现代审美情感相比，一个追求主体性和理性，一个强调感性，消解一切意义。
Compared with modern aesthetic emotion pursuing subjection and ration, post-modern aesthetic emotion emphasizes get rid of all significances.
与传统的情节研究重视审美性、主体性相比，结构主义的方法更重视情节的内部纹理及其书写语法。
The structuralism methods put much more attention to the internal texture and writing grammars of plot, especially when compared with the traditional stresses on aesthetics and subjectivity.
与传统的情节研究重视审美性、主体性相比，结构主义的方法更重视情节的内部纹理及其书写语法。
The structuralism methods put much more attention to the internal texture and writing grammars of plot, especially when compared with the traditional stresses on aesthetics and subjectivity.
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