他要求审美主体投身实践，积极创造。
He demanded that the principal aesthetic practice and actively create.
就翻译而言，审美主体一般指译者及译文读者。
So far as translation is concerned, the aesthetic subjects signify the translator and the target reader.
审美主体、审美客体和时空环境是它的三个要素。
The aesthetic subject, object and temporal-spatio-environment are its three major components.
审美对象(客体)和审美主体构成审美关系的两个方面。
The aesthetic object and the aesthetic subject are the two sides in aesthetic relation.
他认为，审美主体需要独具艺术感受与领悟的禀赋和能力；
According to Fu Lei, aesthetic subject needs unique gift or ability in artistic thought and comprehension;
在审美过程中，认知可以帮助审美主体抓住意象的内涵意义。
So the interposition of the subjective cognition is an important course in aesthetics which is the same for the translators.
审美主体、引起主体美感的对象与特征、话语媒介是其核心三要素。
The main body of beauty appreciation, the object and features for producing beauty, and the discourse media are the three nuclear elements.
审美起始，对象的外在形象引起审美主体的注意，情感同时被点燃。
At the beginning of aesthetic action object's external image is noticed by aesthetic subject when emotion is ignited.
论述了体育运动的美学价值和体育审美主体与体育运动美感之间的关系。
This paper discusses the esthetic value and the relationship between the sports esthetic subject and athlete sports esthetics.
水景意境是指水景客体和审美主体有机统一而生成的一种情景交融的境界。
Waterscape is a state in which the object waterscape and the aesthetic subject wanderers share the organic unification and perfect harmony.
审美心理是审美主体在审美实践和艺术创造的过程中所形成的审美倾向性。
Aesthetic mentalitys aesthetic tendency is formed by the aesthetic subject in the process of aesthetic practice and creation.
语文审美式教学的主要特征有：教学主体在情感的作用下转化为审美主体；
The following is the characters of the Chinese aesthetic teaching: under the pressure of emotion, the subject of teaching is changed into the subject of judging beauty.
审美注意是审美主体对审美对象产生美感的过程，是艺术欣赏的开始阶段。
The esthetic attention is the process that esthetic principal has the esthetic sense for the esthetic object, and is the stage of appreciation of art.
这表明印度人早在两千年前就已充分重视审美主体在审美活动中的重要作用。
This shows that more than 2000 years ago (or even earlier) the Indians have already fully valued the important roles of aesthetic subjects in the aesthetic activity.
作为特殊的审美主体，在翻译过程中译者首先是原文本的读者，而后才是译者。
As a special aesthetic subject, the translator is first of all a reader, and then a translator in the translating process.
审美主体意识与审美客体是辩证统一关系，而实践是这一统一关系的桥梁和纽带。
There is a dialectical unity relationship between the subject aesthetic judgment and the object aesthetic judgment, in which the practice bridges the two parts.
其“鸟鹊添河”幻化形式乃是一定历史阶段审美主体审美意象外化的一种特殊形式。
The imagination form of "magpies forming a bridge" is a special way to express the aesthetic subjects of a certain historical period.
“道—美”不管是涌现也好，还是领会也好，这里还需要专题化讨论审美主体问题。
To "Tao-Beauty", whatever it is emerging or grasping, it needs specially discussing aesthetic Subject issue.
乡土美学的审美主体是进行审美活动并具有一定审美能力的美感的创造者和欣赏者。
The local aesthetics aesthetic subject who takes aesthetic activities is the aesthetic feeling creator with aesthetic faculties and appreciator.
用美妙的歌声感染人，打动人，激发审美主体的情感愉悦，点缀着生活，影响着社会。
This is the artistic singing said by people usually, using beautiful singing to infect and move people, to arouse the appreciators 'wonderful sensibility, and to intersperse life, influence society.
当前城市美学研究主要是围绕着城市的形式美而进行，普遍缺少对城市审美主体的关注。
Contemporary researches on the city aesthetic generally has been focused on the outer form and lack the attention to the subjects.
文学翻译特别需要译者的审美意识，需要作为审美主体的译者发挥创造性和主观能动性。
Literary translation needs the translator to have the sense of aesthetics in particular, to bring into force his creativity as aesthetic subject.
其突出强调的是审美客体对主体的情感影响，审美主体在审美过程中处于一种相对被动的位置。
Its highlight is the impacts of aesthetic object to the subject of emotional and aesthetic subject in the aesthetic process is in a relatively passive position.
审美活动是审美主体层、审美客体层、审美时空层、审美历史积淀层等多层面整体关系的创造；
Aesthetic activity is a kind of creation based on multi-level relations as a whole, that is, the levels of aesthetics in subject, object, time and space, and historical illuviation.
在经典艺术中，艺术家和审美主体在从事审美活动时大都能保持一种不同于日常态度的审美态度。
Most of the artists and aesthetic subjects can hold an attitude different from their daily ones when they engage themselves in aesthetic activities in classic arts.
在经典艺术中，艺术家和审美主体在从事审美活动时大都能保持一种不同于日常态度的审美态度。
Most of the artists and aesthetic subjects can hold an attitude different from their daily ones when they engage themselves in aesthetic activities in classic arts.
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