审丑是一种美学策略。
而这是强调审丑与超越的现代主义所决定的。
And this is determined by modernism that emphasizes the ugly and strives for surpassing.
因此，审丑教育还有待于我们更深入地探讨。
Therefore, the education on judging ugliness still waits for further research and discussion.
这种过于简化的认识未能深刻地揭示审丑现象。
This utmost simplified recognition did not reveal the phenomenon of judging ugliness.
张爱玲和苏童对女性审丑价值有着共同的体现。
Ailing Zhang and Tong Su and the Ugly on the value of women have a common expression.
要有效地进行审丑教育，必须探讨其具体实践措施。
To carry out the education on judging ugliness effectively, the educators should take necessary and correct methods.
表面上，丑猝不及防的崛起，让艺术突然进入了一个审丑的时代。
And the rising of the ugliness ostensibly make the art plump in the time to appreciate on it.
我们需要正确看待真人秀电视节目审丑现象，重视审丑的社会功用。
Proper attitudes have to be taken to view the phenomenon of the "Ugliness Appreciation" of reality TV shows and their social functions.
俳优小说的品格有大俗大雅二重性，具有深刻的文学史和审丑的意蕴。
It bears the refined and popular dual features and carries profound significance of literary history and judgement of the ugly.
20世纪西方现代派文学特别关注丑，形成了否定自我和否定世界的两个基本审丑取向。
The Western literature (in modernist school) of the 20th century paid special attention to ugliness, thus it formed the two basic directions of judging ugliness which denied itself and the world.
莫言小说的“生命意识”和“审丑意识”充分地体现了新时期文学关于人的本质的探索历程。
"The life aware" and "the consciousness of appreciation of ugliness" in Moyan s novel embodied the exploring of human nature by the New Period Literature.
本文认为，审丑意识能使人对于人生的把握更富于超越性，对扩充人的主体性具有重要的价值。
I think that we will be more detached through the appreciation of the ugly and it can expand the subjectification of ourselves.
90年代中后期以来文论界开始关注文学审丑现象，主要针对先锋文艺中的审丑现象进行了分析。
From the middle and late 1990s, they started to care about the literary aesthetics of the ugly and mainly analyzed the phenomena in the vanguard art.
概括地说，西方现代艺术审丑有三重成因，即文明异化的显影，哲学转向的熏染和艺术内求的裂变。
Ugliness becomes the core of artistic statement, however, judging ugliness in Western modern art has been regarded as the degeneration and decayed taste of Western bourgeoisie.
本文以贾平凹自90年代以来在创作上审美视角的转变着手，分析其创作由审美向审丑转变的原因。
The article analyzes the reasons for the change in Jia Pingao's literary creation from aesthetic appreciation to ugly appreciation by tracing his literary career back to the 1990s.
这审丑经验与现实生活存在着一定的张力，因为无论社会还是人生都有着审美化的倾向，这也是人性使然。
There is certain tension between ugly experience and real life, because no matter society or life has a tendency towards esthetic, and it is human nature.
相处时间长了，再丑陋的面容也不那么触目惊心了，是因为“生人难见”，熟悉了也就习惯了，是审丑疲劳。
Get along with a long time, then the ugly face less frightening because "a stranger's hard to see", familiar with you get used to it, is the ugly fatigue.
对“审丑”与“审美”的好恶在很大程度上反映了不同传统文化、不同的民族和不同地域背景下的人们的集体无意识审美心理；
The likes and dislikes towards the beauty and the ugly much reflected the mass unconsciousness aesthetic psychology of the people from different tradition, culture, nationality and terrain background.
对“审丑”与“审美”的好恶在很大程度上反映了不同传统文化、不同的民族和不同地域背景下的人们的集体无意识审美心理；
The likes and dislikes towards the beauty and the ugly much reflected the mass unconsciousness aesthetic psychology of the people from different tradition, culture, nationality and terrain background.
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