创造和创造的自由是新实践美学的关键。
Freedom in creation and creating is keys to new practice aesthetics.
实践美学需要对这些美学神秘主义观点进行祛魅。
It is necessary to disenchant this mysticism aesthetics of practical aesthetics.
章辉认为实践美学没有吸收西方新的人文科学知识而走向终结。
Zhanghui argues that practice aesthetics has ended without absorbing the western new humanities knowledge.
鲍姆·嘉通的美学思想对当代实践美学的建构也有一定的启示。
Alexander Gottliel Baumgarten's aesthetics theory have sure enlightenment to build contemporary practice aesthetics theory.
论争集中体现于“后实践美学”的超越性批判和实践论美学的改造性维护。
The controversy focused on the transcending criticism to post practical aesthetics and the creative maintenance of practical aesthetics.
后实践美学对实践美学的批判触及了实践美学的弱点，但其本质也存在局限性。
The criticism of the post practical aesthetics on the practical aesthetics has touched the weakness of the practical aesthetics, but its essence has the localization.
作为一种美学学说，实践美学有巨大的历史贡献，同时也有不可避免的局限性。
As a theory of esthetics, practical-esthetics makes great contributions to the branch of learning, but it also has some inevitable limitations.
另一方面由于对实践美学的片面的理解，使得它受到了很多建立在误读上的批评。
Moreover, the unilateral understanding of the Practice Aesthetics made Practice Aesthetics being criticized from misreading.
伴随着全球性生态危机，不可避免地将对以主体性哲学为基础的实践美学观提出质疑。
To be based on subjective philosophy the practice aesthetic is oppugned inevitably, when globality entironment have been jeopardizing.
从实践唯物主义及其实践概念出发的人对现实的审美关系，是实践美学的中心研究对象。
The aesthetic relation of human treating reality that starts from practical materialism and practice concept is the central research object.
《批判哲学的批判》是李泽厚后期实践美学的理论起点，《美学四讲》则是其集中体现。
Critique of Critical Philosophy is Li Ze-hou s theoretical starting point of his practical aesthetics in his later years and Lectures on aesthetics is its concentrated reflection.
在第二章，我们主要探讨后实践美学中的审美超越理论对西方当代哲学美学的借鉴和吸收。
Chapter two mainly discuss, in post-practical aesthetics, aesthetic transcendence theory's using and drawing on experience of western contemporary philosophical aesthetics for references.
“新实践美学”是实践美学与后实践美学之争孕育出的一个由多家美学理论组成的美学流派。
"The New Practical Aesthetics", an aesthetic school, is consisted of several aesthetic theories, from arguments between the Practical Aesthetics and the Post-Practical Aesthetics.
实践美学受西方文化的影响是显而易见的，但就此来理解其渊源，则面临着一系列无法回答的问题。
Although it is apparent that the practical aesthetics has been influenced by western cultures, a series of unanswerable problems will arise if we think of western cultures as its origin.
而且作为对现代性（包括启蒙现代性与审美现代性）的反思，实践美学是一项未完成的现代性工程。
Practice Aesthetics not only has modernity and is the authentic modern aesthetics, but as a project reflecting on modernity, it remains unaccomplished.
在理论上，实践美学顺应历史的潮流，宣告了形而上学的终结，走出了古典主义的二元对立思维模式；
In theory, practice aesthetics represents the tide of history, declares the end of metaphysics and gets rid of the mode of dualism.
如何理解他们美学思想的异同并做怎样的理解和评价，这是本章在理解实践美学时所坚守的问题意识。
The stand of this part is what are the differences and similarities of their thoughts and how we understand and evaluate them.
对于实践美学的自然美论来说，存在着两个比较致命的弱点：是未经人类改造过的自然美的起源与本质问题的解释；
For the natural beauty of practical aesthetics, it exists two fatal weaknesses. First, it can't explain the natural beauty without human perfectly;
被称为建国以来第三次美学论争的实践美学与后实践美学论争，主要围绕美学自身问题展开，是一次真正的美学论争。
The contest between practical aesthetics and post-practical aesthetics has been the third aesthetic contest after 1949, which focuses on the aesthetic questions and is a real aesthetic contest.
新实践美学要建设的是审美的家园，而不是历史的或审美的乌托邦，因为它立足于现实的实践，而不是主体间性的精神活动。
The new practical aesthetics should build the home for appreciation of the beautiful, not a historical Utopia, because it is a practice based on reality and is not an objective activity.
本章对于如何理解和反思李泽厚在这一时期的理论调整和发展，如何把握和评价“新实践美学”与“后实践美学”的理论论争，提出了自己的看法。
How should we understand and reflect the adjustment and development of Li Zehou's thought in this period? How to understand and evaluate the argument? We give our answers in this part.
通过实习工作和课堂讲授，介绍艺术实践和美学分析。
Introduction to artistic practice and aesthetic analysis through studio work and lectures.
巴尔扎克对伏脱冷形象的审美评价，作为现实主义大潮涌动时的一股潜流，对于现代派美学原则的确立发挥了艺术实践方面的奠基作用。
As an undercurrent of realism, the aesthetic evaluation made on Futaulen by Balzac played a fundamental role in the art practice to the establishment of modern school aesthetic principle.
笔者认为，在实现美学和人类学方法结合的具体实践中，我们有必要吸收借鉴国外审美人类学研究的前沿成果。
In my opinion, it's essential to study foreign aesthetic anthropology on the method of an anthropological approaching to the study of aesthetic preference.
笔者在西方美学史公选课教学过程中，针对本课程特点及学生的具体情况，作了一些教学方法上的思考和实践。
The author has made an effort to improve the teaching of the history of Western aesthetics, a general elective course offered by her.
当代应用美学作为学科形态和实践产品是西方消费社会的产物。
The contemporary applied aesthetics, both as subject modality and practice product, is the consequences of Western consumption society.
现代主义的哲学假设与美学实践颠覆了传统再现说，突出了语言与形式的核心地位。
Modernist philosophical assumption and aesthetic practice have undermined the traditional theory of representation and highlighted the core position of language and form.
游戏精神是儿童文学的基本美学精神之一，它对儿童文学创作实践具有重要的理论指导意义。
Recreation spirit is one of the basic aesthetics spirit of children's literature. It plays important theory guidance meaning in Children's literature creation practice possesses .
实践存在论是近年出现在美学、文艺学研究领域的一种本体观。
The practical ontology is a kind of ontological concept in the research of literature and aesthetics in recent years.
路遥的《人生》对高加林人生命运的表达就具有很强的美学的实践意义。
The expression of life and fate of Gao Jia-lin in Lu Yao's life is of great aesthetic significance in practice.
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