作者已不是讲“故事”，而是开创属于自己的宇宙。
The writer has given up telling "stories" and creates his universe.
假如宇宙故事和其他人类至爱的故事并驾齐驱，为那些通过经验最了解的人提供人性化的类比就至关重要。
If the universe story is to compete with other stories for human attention, it is important to offer human-friendly analogies for those who best understand things through experiential referents.
这样翻译会更好：,他说，“要有光，于是便有了光“,这样说便表明故事并不旨在描述,宇宙最初的起源。
It's better translated this way: He said, 'Let there be light and there was light.'" And that translation suggests that the story isn't concerned to depict the ultimate origins of the universe.
前者的故事发生在宇宙前沿的一个空间站里，后者的故事则发生在另一个不同的银河系里。 《星际迷航》系列总是令人想到历史会终结在星际之间。
Too often, the Star Trek franchise called to mind the end of history on an intergalactic scale.
对我来说更贴切的比喻是,如果一个小说的故事情节是基于一个小于1%概率的事件的话,人们会指责你的创意了,他们会说这太荒诞.事实上,生活恰恰会经常变的荒诞无常,科学也不能测量宇宙趋势来扔给你一个真正完美的弧线球.
The fact is, life is fairly often unrealistic. Science can't measure the tendency of the universe to throw you a genuine curveball.
当然，还有很多禅宗的故事，所有这些故事指向一个必然结论，简单地说就是，你是宇宙自身。
Of course, there are many Zen stories, all of which point toward the inevitable conclusion that, simply put, you are IT.
《正午宇宙》中的故事发生在22世纪，而《阿凡达》也是，这一点，批评人士也注意到了。
The Noon Universe takes place in the 22nd century. So does Avatar, critics have noticed.
在宇宙里遨游的星际旅行者1号和2号上都保存着相同的数据，那是关于地球的故事，由旅行者们带到宇宙空间的深处。
Flying aboard Voyagers 1 and 2 are identical records, carrying the story of Earth far into deep space.
故事将会显示如果你能清除人们的个人信息，他们能去宇宙。
The story will show that if you can clear people of their personal information, they can go cosmic.
这就是宇宙诞生的故事。
在这个例子里，你们的神秘故事与终极实相还相差不太远——因为以一种宇宙性的说法而言，组成我之整体的无穷尽的灵魂，是我的子女。
In this instance, your mythical tales and stories are not so far from ultimate reality-for the endless spirits comprising the totality of Me are, in a cosmic sense, my offspring.
我的朋友的故事提醒了我一条重要的快乐经验：虽然，我感觉自己是宇宙中心，可是我不是。
My friend's story reminded me of an important happiness lesson: although I feel like the center of the universe, I'm not.
我过了那个年纪，开始更多地思考故事本身，他们是如何构建起来的，那些构成《星战》宇宙的幻想世界，那些角色，以及诸如此类的事情。
I got over that phase and moved on toward thinking more about the stories themselves, how they were constructed, the imaginary worlds that comprised Star Wars, the characters, that sort of thing.
从那时起，它们就成为了衍生宇宙故事情节里的一个主要道具。
Since that time, they've become a mainstay in expanded universe storytelling.
本片根据罗威尔·坎宁汉的连环画改编，故事发生在未来时代，由于宇宙战乱不断，大批外星人纷纷到地球避难。
The film according to Lowell. Cunningham's comic book adaptation, the story took place in the next era, the universe, the war continued, a large number of aliens have come to Earth refuge.
宇宙膨胀的故事，它是怎么证明是错的！
The story of the expanding universe and how it was shown to be wrong!
那个关于宇宙旅行的故事很有趣。
这为克拉姆赢得了许多特写镜头，也使他成为一个衍生宇宙故事逐渐丰富的角色。
This earned Crumb a number of close-ups as well as a gradually expanded role.
我知道在历史上伟大的英雄，自然秘密，我们的宇宙奥秘和不明飞行物的精彩故事。
I know the wonderful stories of great heroes in history, secrets of nature, mysteries of UFO and our universe.
重新设计你故事的下一个历程，宇宙会给予你帮助。
Re-design this next stage of your story and the universe will grant you the props.
当然，科幻小说创造了许多关于电脑的引人入胜的故事，或者说是机器人，他们征服了人类和地球，甚至整个宇宙；
Of course, science fictions have made up many fascinating stories about a computer, or rather robot, who conquers man and the earth, even the whole universe;
海利·乔·奥斯蒙特最爱的一本书是《深海圆疑》，作者是迈克尔·克莱顿：海利主演过科幻片——《灵异第六感》，他推荐的也是本科幻小说，故事情节是以一艘沉溺海底的神秘宇宙飞船展开的。
Haley Joel Osment, Sphere by Michael Crichton: The star of sci-fi film The Sixth Sense recommends the sci-fi book about a mysterious spaceship at the bottom of the ocean.
这个故事讲的是一个无忧无虑的小厨师执着的星际探险，寻找宇宙禁地彩虹海的故事。
This story tells a carefree Chinese chef's space adventure looking for the most forbidden zone Rainbow Sea.
在20世纪90年代初，《星球大战》小说的衍生宇宙开发出许多新的故事，很多项目都是同时进行的。
In the early 1990s, when the Expanded Universe of Star Wars fiction was exploding with new tales, many projects were being developed concurrently.
在20世纪90年代初，《星球大战》小说的衍生宇宙开发出许多新的故事，很多项目都是同时进行的。
In the early 1990s, when the Expanded Universe of Star Wars fiction was exploding with new tales, many projects were being developed concurrently.
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