“人，诗意地栖居”是存在主义美学的代表人物海德格尔晚期诗学思想的一个著名命题。
The Poetical Dwelling of Human Beings is a marked idea in the late poetics thoughts of Heidegger, a renowned representative of existentialism aesthetics.
作为存在主义美学的代表人物，萨特继承了笛卡尔的我思传统和胡塞尔的现象学方法，把自己的理论建立在非反思意识的基础上。
Sartre, an important representative of existentialism aesthetics, inherited the tradition cogito of Descarte and phenomenology of Husserl, established his theory on pre-reflective consciousness.
从而，结合运用存在主义美学的相关社会因素、艺术理论、“人”的理论进行深入分析，阐释存在主义美学对中国当代审美形态形成的影响和借鉴。
On the other hand, take advantage of the existentialism aesthetics, including its societal factors, its art theory and its theory of "human" to analysis the aesthetic form of modern China deeply.
从而，结合运用存在主义美学的相关社会因素、艺术理论、“人”的理论进行深入分析，阐释存在主义美学对中国当代审美形态形成的影响和借鉴。
On the other hand, take advantage of the existentialism aesthetics, including its societal factors, its art theory and its theory of "human" to analysis the aesthetic form of modern China deeply.
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