卫慧们的身体写作与法国女性主义创立的“女性写作”理论惊人契合,是中国女性书写的一次新尝试。
The surprising similarities between those writers and the French female writers who create the theory of women writing, which is a novel attempt of Chinese females.
其突出成就即在于,以“回到自己的屋子”的女性身体的写作方式,使女性寻找自己话语的叙事策略得以完形,并通过独特的经验内容对男性话语提出挑战。
Her outstanding achievement lies in writing method of female bodies, which allows the female to seek for their own narrative tactics for completion and challenge male discourse with unique experience.
经过漫长的一个世纪的理论求证和大胆实践之后,女性的身体和精神也包括女性写作都获得了最大的自由空间。
In a long century's theoretical preaching and brave practice, the physicality and spirituality of the female including feminist writing all have acquired the maximum space of freedom.
从这一关系入手,梳理诸如“边缘叙事”、“身体写作”、“女性小说”等概念,可以为边缘诗学的建构提供一个视。
This has helped to provide a new perspective for the construction of peripheral poetics in terms of "peripheral narrative", "body writing" and "feminist novel".
西方女性主义“身体写作”理论是在弗洛伊德、荣格心理学理论及德里达学说影响下,在西方盛行自白派诗歌创作的文学氛围中产生的。
Under the influence of the theories of Flued, Roge and Dreda, western feminist theory of "body writing" is brought forth in the fashion of the poetic group of confession.
西方女性主义“身体写作”理论是在弗洛伊德、荣格心理学理论及德里达学说影响下,在西方盛行自白派诗歌创作的文学氛围中产生的。
Under the influence of the theories of Flued, Roge and Dreda, western feminist theory of "body writing" is brought forth in the fashion of the poetic group of confession.
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