从美学意义上来说，京派小说中的女性形象具有“含蓄的古典美”和“淡淡的悲剧意蕴”两大美学特征。
In the sense of aesthetic, the female characters in novels of Beijing Group have two aesthetic features -the implied classical beauty and the light tragic tone.
以女性文学批评为视点，作者分析了剧中的女性形象，发现女性主体性的残缺才是导致女性悲剧命运不可或缺的因素。
From viewpoint of feminist literary criticism, the author analyses women's images in these dramas, and finds fragmentary subjectivity is inevasible factor that causes women's miserably fate.
毕飞宇的《青衣》及《玉米》、《玉秀》、《玉秧》几部中篇小说成功地塑造了一系列女性悲剧形象。
Bifeiyu's Stories, Qingyi, Yumi, Yuxiu and Yuyang successfully describe a series of female tragedy figures.
《白鹿原》作为20世纪后期的一部厚重作品，塑造了众多的悲剧女性形象。
As a decorous fiction in the late 20th century, the White Deer's Plain created various images of the female tragedy.
《白鹿原》作为20世纪后期的一部厚重作品，塑造了众多的悲剧女性形象。
As a decorous fiction in the late 20th century, the White Deer's Plain created various images of the female tragedy.
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