毕飞宇的《青衣》及《玉米》、《玉秀》、《玉秧》几部中篇小说成功地塑造了一系列女性悲剧形象。
Bifeiyu's Stories, Qingyi, Yumi, Yuxiu and Yuyang successfully describe a series of female tragedy figures.
从美学意义上来说，京派小说中的女性形象具有“含蓄的古典美”和“淡淡的悲剧意蕴”两大美学特征。
In the sense of aesthetic, the female characters in novels of Beijing Group have two aesthetic features -the implied classical beauty and the light tragic tone.
以女性文学批评为视点，作者分析了剧中的女性形象，发现女性主体性的残缺才是导致女性悲剧命运不可或缺的因素。
From viewpoint of feminist literary criticism, the author analyses women's images in these dramas, and finds fragmentary subjectivity is inevasible factor that causes women's miserably fate.
《白鹿原》作为20世纪后期的一部厚重作品，塑造了众多的悲剧女性形象。
As a decorous fiction in the late 20th century, the White Deer's Plain created various images of the female tragedy.
《白鹿原》作为20世纪后期的一部厚重作品，塑造了众多的悲剧女性形象。
As a decorous fiction in the late 20th century, the White Deer's Plain created various images of the female tragedy.
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