第二章从小说文本出发着重分析说明小说主人公康妮是一名有着女性主体意识的新女性。
The second Chapter centers on, through analysis of the text, Connie, a new woman being endowed with subjective female consciousness.
由此把志怪小说看作是研究女性形象的文本。
So I regard Zhiguai fictions as the text of the feminine images to study.
白先勇小说塑造了一批经典的女性形象，其小说文本表现出对女性的关注和同情，呈现出一种独特的女性视角。
His fiction portrays a series of classical female characters, manifesting close attention and sympathy on women and forming a unique feminine angle of view.
《她是一个弱女子》、《一九三〇年春上海》(二)和《出奔》三个小说文本，颇典型地代表了这个时段女性成长失败的诸种陷阱和深层原因。
She Is a Weak, 1930 Shanghai Night (2), Wrote as three novels text, represent a typical female growth during the various traps and deep-rooted reasons for the failure.
女性小说文本叙事话语的对话性是女性文学与叙事话语的契合。
The dialogism of discourse of textual narration in the female novels is the combination of female literature wi th narrative discourse.
通过对文本和小说人物的分析与研究，领悟作者对生活在殖民地男权社会统治的女性悲惨命运的深切同情。
Doris Lessing once remarked that we live in a series of prisons called race, class, male and female.
虽然她的创作还在不断寻求新的突破，但综观她已经发表的小说，在其小说文本中已经形成了一个丰富的女性世界。
Although she is constantly seeking new breakthroughs, but it has build a rich female world in the novels she had published.
文章运用女权批评，通过阐释在《寒夜》女性人物塑造中的不同，以及小说叙述中的文本失真，分析出作家创作中潜藏的男性意识。
The paper analyzes Shakespeares tragedy King Lear from the perspective of feminism, exposing the strong male consciousness of the play.
文章运用女权批评，通过阐释在《寒夜》女性人物塑造中的不同，以及小说叙述中的文本失真，分析出作家创作中潜藏的男性意识。
The paper analyzes Shakespeares tragedy King Lear from the perspective of feminism, exposing the strong male consciousness of the play.
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