卫慧们的身体写作与法国女性主义创立的“女性写作”理论惊人契合,是中国女性书写的一次新尝试。
The surprising similarities between those writers and the French female writers who create the theory of women writing, which is a novel attempt of Chinese females.
女性主义文学理论对中国女性书写的影响体现在两个方面:对批评的影响和对创作的影响。
The feminist literature theory has two aspects of influences on the Chinese female writing: influence on criticizing and influence on creations.
从女性主义的视角来看,古希腊神话和传说是站在男性中心的立场上书写出来的。
From female's perspective, the ancient Greek myths and legends are made by the man-centered society.
本文在梳理了西方和中国女性主义文学批评的理论资源的基础上,拟采用社会性别理论分析中国当代男性文本中对女性意识的书写。
This essay aims to analyze the women's consciousness in Chinese male writers' writing with a way of gender study on the basis of sorting our western and Chinese feminism.
从这一意义出发,新历史小说应该说是当代女性作家淋漓尽致地书写自我和表达当下的女性主义意识的最佳空间。
Therefore, proceeding from this meaning, new historical novels would be the best position for contemporary feminine authors to thoroughly write and express the contemporary ideas on feminism.
同时作家在书写中反映出了浓厚的女性主义思想,并表现出苍凉、绝望的心境和对女性命运的深邃、执著的哲理性思考。
At the same time, the novels expressed thick feminism idea and the writer's feeling of wild, despair and her deep, inflexible, philosophical deliberation.
同时作家在书写中反映出了浓厚的女性主义思想,并表现出苍凉、绝望的心境和对女性命运的深邃、执著的哲理性思考。
At the same time, the novels expressed thick feminism idea and the writer's feeling of wild, despair and her deep, inflexible, philosophical deliberation.
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