第一部分：1949年- 1976年的女性电影创作，其特征是以男性规范为规范，女性话语的失落。
Part I: Feminine movie-making from1949through1976, which was bounded by male's ideas and marked with the loss of female voice.
本文从生存哲学的角度重读徐坤的《厨房》，探讨了女性真爱失落的原因。
T his essay mainly deals with Xu Kun's the kitchen from on existently philosophical point of view, treating the reasons for which the true love of the female loses.
跪在这位被放逐、失落已久的神圣女性的足踝前的祈祷之旅。
A journey to pray at feet of the outcast one, the lost sacred feminine.
我的观点是美国研究工作人员不恰当的、满怀希望的期待女性在一个月之内抛弃负罪感，克服失落感-这些痛苦的反应。
My own opinion is that the American research workers were unduly sanguine in expecting women to jettison guilt and overcome their feelings of loss - the grief response - within just a month.
影片中体现的“女性的失落”这一主题，在后来的《美人计》和《迷魂记》等片中也有体现，虽然具体背景有所不同。
The theme presented in this film, the feminine loss of identity, would also be addressed in later films including Notorious and Vertigo, though applied in a differing context.
对战争女性形象的描写，打破了传统的对女性世界的描写，开拓了女性创作的新空间，但也有雄化、失落、淡化等遗憾。
The description of female image breaks down the traditional description of the female world and opens up new space for the female writing, however, with a pity of desalination, loss and vigor.
对战争女性形象的描写，打破了传统的对女性世界的描写，开拓了女性创作的新空间，但也有雄化、失落、淡化等遗憾。
The description of female image breaks down the traditional description of the female world and opens up new space for the female writing, however, with a pity of desalination, loss and vigor.
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