预计该系列将以舒伯特的吉他式大提琴奏鸣曲结尾。
The series is expected to end with Schubert's Arpeggione Sonata.
萧邦：G小调大提琴奏鸣曲，作品65，第二乐章、第三乐章。
Frederic Chopin: Cello Sonata in G minor, Op. 65, Mov. 2, Mov. 3.
鲁宾斯坦全集之三：勃拉姆斯第一钢琴四重奏，第三小提琴奏鸣曲，第一大提琴奏鸣曲。
The Rubinstein Collection Vol. 3 - Brahms Piano Quartet no. 1, Violin Sonata no. 3, Cello Sonata no. 1.
伯格曼自己把这种创作方法比作巴赫的大提琴奏鸣曲：“它们可以用弦乐的方式演奏，也可以合奏，用吉他、风琴和钢琴也都可以。”
Bergman himself was to liken the method to the format of Bach's harpsichord sonatas: "They can be played by string quartets, wind ensembles, on the guitar, organ or piano."
贝多芬创作的五部大提琴与钢琴奏鸣曲代表了其一生创作的三个精华阶段。
Beethoven's five sonatas for cello and piano represent his three major creative periods.
作品69号A调奏鸣曲中，钢琴与大提琴平分秋色，这种方式打破了18世纪以前钢琴奏鸣曲中，其他器乐占次要角色的布局。
Piano and cello are given equal roles in the sonata in a (Op. 69), a break with the 18th-century format of a piano sonata accompanied by an instrumental obbligato.
安东尼奥·维瓦尔第的e小调奏鸣曲最初是为大提琴与通奏低音创作的，是典型的巴洛克音乐。
Sonata in E minor from Antonio Vivaldi is originally composed for Cello and basso continuo in Baroque Style.
里盖蒂的《大提琴无伴奏奏鸣曲》是20世纪大提琴文献中的代表作品之一。
Gyorgy Ligeti's "Sonate fur violoncello solo", is regarded as one of the representative works among the violoncello literatures in the 20th century.
下半场的利盖梯奏鸣曲在当代大提琴作品中占有非常重要的地位，包含了很多丰富的演奏技巧。
Gyorgy Ligeti's Sonate, appearing in the second half of the concert, plays an important role in the contemporary cello repertoire, featuring a rich variety of performance techniques.
下半场的利盖梯奏鸣曲在当代大提琴作品中占有非常重要的地位，包含了很多丰富的演奏技巧。
Gyorgy Ligeti's Sonate, appearing in the second half of the concert, plays an important role in the contemporary cello repertoire, featuring a rich variety of performance techniques.
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