这个爱情悲剧突破了以往夫贵妻荣的大团圆模式，它的悲剧力量将永远震撼人们的心灵。
The love tragedy breaks through a formerly happy reunion. Its tragic influence will shake peoples mind...
中国传统戏曲小说中存在着虚假的“团圆主义”即“大团圆”的结局，使作品形成了一种单一陈旧的模式。
It existed the false reunion in the Chinese traditional drama novel, Which became and old and Single mode.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式，成为中国话剧初创时期的主导艺术特色。
Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
宋以后的戏曲小说中，普遍存在着“大团圆”结局模式。
There exists universally a happy ending in opera novels after Song Dynasty.
大团圆结局是中国古典爱情婚姻剧的一种经典模式，以往研究认为，这满足了古代人民期盼团圆的美好愿望。
The comedy is a classic style of Chinese classical love story. It was researched that the comedy filled ancient people with good desire.
大团圆结局是中国古典爱情婚姻剧的一种经典模式，以往研究认为，这满足了古代人民期盼团圆的美好愿望。
The comedy is a classic style of Chinese classical love story. It was researched that the comedy filled ancient people with good desire.
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