在夏布洛尔电影里，有很多迹象是对中产阶级故作自尊的取笑。
There was a tease in Chabrol and many signs of bourgeois respectability.
那时候你发现你自己正在思考，夏布洛尔本人在希区柯克那儿到底看到了多少。
That's when you find yourself wondering how much of himself Chabrol had seen in Hitchcock.
新浪潮的那一代人没有谁拍的电影多过夏布洛尔，或者他的电影多到，好的具有嘲讽性，差的就很普通。
No one of that new wave generation made more films than Chabrol, or so many that were sardonic at best, routine at worst.
他还曾与另一位法国导演克劳德·夏布洛尔合作，出版了一本研究他们的偶像阿尔弗莱德·希区柯克的专著。
With Claude Chabrol, another director, Rohmer published a classic study on one of their heroes, Alfred Hitchcock.
它仍是一个有关女人和死亡的故事，而夏布洛尔喜欢被认为具备多种才能的，所以有关这两个主题的电影不停地来来回回。
It's also a story about women and death, and while Chabrol liked to be regarded as versatile, those two topics kept coming back.
它仍是一个有关女人和死亡的故事，而夏布洛尔喜欢被认为具备多种才能的，所以有关这两个主题的电影不停地来来回回。
It's also a story about women and death, and while Chabrol liked to be regarded as versatile, those two topics kept coming back.
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