理解塔尔斯基转向是理解公理化真理论的一把钥匙。
Understanding this turn is the key for understanding axiomatic theories of truth.
此外，他把塔尔斯基的真理理论作为逼真性概念的理论基础也是错误的。
In addition, it is a mistake for Popper to take Tarski's truth theory as the basis of his concept of verisimilitude.
第一部分是蒯因对符合论、 融贯论、塔尔斯基语义真理论等传统真理观以及同时代的逻辑经验主义真理观的批判继承。
The first part is about Quine's criticism and inheritance to the traditional perspectives to truth, like the correspondence theory , the coherence theory and Tarski's semantic theory of truth.
这两方面问题的存在，既影响到对塔尔斯基真值条件语义学理论本身的理解，也在一定程度上影响到对这一理论的评价。
The presence of two above problems impacts not only the understanding for theory of Tarski's truth-conditional semantics but also the evaluation for the theory.
“当火车驶近时，”塔尔科夫斯基写道，“剧院里开始恐慌起来：人们跳起来跑开了。”
"As the train approached," wrote Tarkovsky, "panic started in the theatre: people jumped and ran away."
最伟大的电影艺术家之一、俄罗斯导演安德烈·塔尔科夫斯基称这部电影是“天才之作”。
The Russian director Andrei Tarkovsky, one of the greatest of all film artists, described the film as a "work of genius".
对塔尔科夫斯基来说，这种魔力的关键在于电影创造了一种关于真实事件的流畅的动态图像。
For Tarkovsky, the key to that magic was the way in which cinema created a dynamic image of the real flow of events.
俄罗斯出生的美国歌手索非塔克说：“我曾经很有钱也曾经很贫困，请相信我，有钱真好。”如果我们听见霍多尔科夫斯基引用这句话，不要责怪他。
Mr. Khodorkovsky can't be blamed if he's caught quoting the late Russian born-American singer Sophie Tucker: "I've been rich and I've been poor," she said, "and believe me, rich is better."
我的伴侣彼得奥洛夫斯基，管家人罗森塔尔以及赫尔，比尔莫金
companion Peter Orlovsky, caretakers Rosenthal &Hale, Bill Morgan
靠近拉梅斯基塔的瓜达尔基维尔河边上的雕塑（科尔多瓦，西班牙）
Statue in the Guadalquivir river, near La Mezquita, (Cordoba, Spain)
他未出版的危地马拉研究一直尘封在匹兹堡大学的档案馆，直到最近才被医学历史学家里维尔比教授发现。里维尔比教授已经著有两部关于塔斯基斯研究的书。
His unpublished Guatemala work was unearthed recently in the archives of the University of Pittsburgh by Professor Reverby, a medical historian who has written two books about Tuskegee.
同时，圣愚文化对塔尔科夫斯基电影观的形成也起到了至关重要的作用。
Withal, Holy fool culture is very important in the course of creation of Tarkovsky's movie view.
在本文中，我试图对塔尔科夫斯基电影作品产生多义性的独特艺术手段进行技术分析。
In this paper, I attempt to give some technological analyses on the unique artistic method by which Tarkovsky realized his ambiguous expression in his film-works.
我认为《飞向太空》是一部带有过渡性质的作品，塔尔科夫斯基第二阶段和第三阶段两种截然不同的艺术风格都在此片中初现端倪，但又未殝完善。
The style at the third stage is completely different from the second one, and the two styles have an inkling of the matter without arriving perfection.
塔尔科夫斯基电影观所包含的丰富内容和深刻内涵必将为我们提供有益的借鉴和启示。
The abundance content and connotative meaning of Tarkovsky's movie view is very helpful for us.
多义性是塔尔科夫斯基电影的自觉追求。
The ambiguity is the conscientious pursuit of the Tarkovsky's films.
俄罗斯文化的伟大传统构成了塔尔科夫斯基的精神母体，而在笔者看来，俄罗斯理念和圣愚文化成为塔尔科夫斯基电影观中最明显的两大文化特征。
The great Russian cultural tradition is the matrix of Tarkovsky's mind. In my opinion, Russian notion and Holy fool culture are the two most obvious character of Tarkovsky's movie view.
俄罗斯文化的伟大传统构成了塔尔科夫斯基的精神母体，而在笔者看来，俄罗斯理念和圣愚文化成为塔尔科夫斯基电影观中最明显的两大文化特征。
The great Russian cultural tradition is the matrix of Tarkovsky's mind. In my opinion, Russian notion and Holy fool culture are the two most obvious character of Tarkovsky's movie view.
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