历史背景和轶事由场景设计师书面每个场景。
Historical backgrounds and anecdotes for each scenario written by the scenario designer.
保姆将斯嘉丽的腰勒成18 英寸的场景为一代代有施虐倾向的时装设计师带来了灵感，不过，这纯属无稽之谈。我们无法不喜欢那些沃特-普兰克特设计的公主撑裙。
The scene in which Mammy harnesses Scarlett’s waist down to 18in inspired generations of sadistic fashion designers but, fiddle-dee-dee, we can’t help loving those Walter Plunkett designed ballgowns.
由制片设计师RaymondZibach制作的一幅早期的图片，展现了阿宝和盖世五侠走过沙漠的场景。
An early sketch by the production designer Raymond Zibach shows Po with the Furious Five walking through the desert. Mr.
由制片设计师RaymondZibach制作的一幅早期的图片，展现了阿宝和盖世五侠走过沙漠的场景。
An early sketch by the production designer Raymond Zibach shows Po with the Furious Five walking through the desert.
LED大功率投光灯可用遥控或DMX控制，按钮开光，通过使用MDX3通道可达到色彩追逐效果，且场景也可由灯光设计师进行调控。
LED high power cast light can be remote or DMX control, the button switch, can be achieved through the use of color chase MDX3 channel effects, and scene lighting designers may also be regulated.
而在主题场景设定上，设计师没有遵循传统，而是创造了一个又一个令人倍感意外的场景，留给顾客探索、发现的乐趣。
While on the subject setting, the designer not following the tradition, but created a another unexpected scene, for customers to seek, to find fun.
“多么精彩的场景！我们怎样才能避免对它的破坏呢？”马歇•布劳耶，弗拉尼的建筑设计师，1960年。
"What a wonderful site! How do we avoid spoiling it?" Marcel Breuer, architect of Flaine, 1960.
高尔夫球场的景观设计是景观设计工作的一个新领域，现在景观设计师有越来越多的机会参与高尔夫球场景观设计工作。
The landscape design of golf course is a new area of landscape architecture, and landscape architects have more and more opportunities to participate in this work.
但作为建筑设计师，我们应当从生活场景或事物来获取灵感，而不是参照已经存在的设计。
But as architectural, actually, designers, we should try to inspire from everyday situation or objects rather than designed work already.
较为系统地阐述、分析和总结高尔夫球场景观设计工作的意义、内容及设计方法，对从事这项工作的设计师具有重要的参考价值。
Systemically expatiating, analyzing and summarizing the meaning, content and method in golf course design may bring great reference value to the landscape architects.
设计师考虑了周边环境所扮演的角色，决定将该场景氛围应用到项目设计中来。
We assumed the role that this neighborhood scene proposes and we decided to take its atmosphere as a structuring condition for the project.
设计师考虑了周边环境所扮演的角色，决定将该场景氛围应用到项目设计中来。
We assumed the role that this neighborhood scene proposes and we decided to take its atmosphere as a structuring condition for the project.
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