昌黎地秧歌从形式到内容，都有其明显个性。
Changlidi Yangko has a distinct character from form to content.
又由于秧歌可即兴参演，所以又出现了戴“缨子帽”的丑角，这一蒙古族的服饰，在昌黎地秧歌的表演艺术中一直保留至今。
Also, because the participating Yangge be improvised, it has emerged wearing "Ying sub-cap" the clown, the Mongolian costumes, in the performing arts Changli to Yangko has been retained so far.
可以毫不夸张地说，秧歌的意义也正在于此。
That, without too much exaggeration, was part of the significance of the Yangko.
从武山秧歌的许多优秀作品中，可以看到它的诗、歌与舞决不是一种机械的地凑合。
Wushan from Yangko many outstanding works, we can see that it's poetry, song and dance is by no means a machinery to make do.
当时活跃在汾阳和孝义两地的秧歌班不下二十个。
The Yangge classes active in Fenyang and Xiaoyi was no less than 20, but now there is only one.
当时活跃在汾阳和孝义两地的秧歌班不下二十个。
The Yangge classes active in Fenyang and Xiaoyi was no less than 20, but now there is only one.
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