今天，扒手在数量及技巧方面都已超过了他们在狄更斯时代的祖辈。
Today the pickpockets have overtaken their forefathers of Dickens' time in both number and skill.
她的小说《克兰·福德》于1851年至1853年在狄更斯主编的《家常话》周报上连载，并在1853年正式出版。
Her novella Cranford was serialized in Household words-a periodical which was edited by Charles Dickens from 1851 to 1853.
狄更斯开始在一家工厂工作。
在《匹克威克》之后，狄更斯陷入了一个更加灰暗的世界。
家庭的日益贫困迫使狄更斯在12岁时辍学，到沃伦的鞋油厂仓库工作。
The family's increasing poverty forced Dickens out of school at age 12 to work in Warren's Blacking Warehouse, a shoe-polish factory.
家里日益贫困的生活迫使狄更斯在12岁时辍学，在沃伦的鞋油仓库工作。这是一家鞋油厂，那里工作的男孩嘲笑他是“年轻的绅士”。
The family's increasing poverty forced Dickens out of school at age 12 to work in Warren's Blacking Warehouse, a shoe-polish factory, where the other working boys mocked him as "the young gentleman".
当狄更斯发现他的第一部随笔，《白杨庄晚宴》，在《每月杂志》上刊登的时候，他热泪盈眶。
The first published sketch, "A dinner at Poplar Walk", brought tears to Dickens's eyes when he discovered it in the pages of The Monthly Magazine.
狄更斯发表的第一部小品文《极地的晚餐》在《每月杂志》上刊登时，他泪流满面，这为他赢得了不少声誉。
The first published sketch, "A Dinner at Polar Walk" brought tears to Dickens's eyes when he discovered it in the pages of The Monthly Magazine, earned him a modest reputation.
在第一期之后，狄更斯写信给这位画家，请他修改一幅狄更斯认为和自己的散文不那么相符的画。
After the first installment, Dickens wrote to the artist and asked him to correct a drawing Dickens felt was not faithful enough to his prose.
她说，一个重要的原因是狄更斯在发自内心地写作。
One important reason, she says, is that Dickens wrote from his heart.
简·奥斯汀的作品几乎全是博·布鲁梅尔所写，而查尔斯·狄更斯的多数作品是两个男人和一只猫写的，除了“双城记”以外。 双城记是拿破仑在参观圣赫勒拿时所写。
Beau Brummell wrote nearly all of Jane Austen, and two men and a cat wrote most of Charles Dickens, with the exception of “A Tale of Two Cities, ” which Napoleon wrote while visiting St. Helena.
严肃主题加上低俗喜剧风格也在乔叟和莎翁作品中有体现，而狄更斯作品中外表漫画风精神层面揭示真实反响也不错。
But thematic seriousness and low comedy coexist in Chaucer and Shakespeare, while emotional truth and physical caricature get along just fine in Dickens.
大约8%的出版销售量来自古典文学，其中包括简。奥斯丁和查尔斯·狄更斯的著作，而税收仍在增加，尽管在公共领域有很多版权。
About 8% of the publisher's sales are from its classics, including Jane Austen and Charles Dickens, and revenues are still growing, despite much of the copyright being in the public domain.
根据渔民的传说，狄更斯写道，在潮水涨起来的时候，人是不会死去的。
Fishermen's folklore, Dickens writes, says men and women cannot die while the tide is rising.
在托玛琳一书结尾，劳累的狄更斯将一桶水浇在自己身上，继续写作。
Ms Tomalin ends with an exhausted Dickens splashing his head in a bucket of water, and writing on.
那是1985年，我们在一家尖端文学杂志社工作，我却喜欢上了狄更斯的小说，大家都非常喜欢。
This was 1985 and we worked at a cutting-edge literary magazine, but I’d fallen into the plot of a Dickens novel and really, we all loved those best.
那是1985年，我们在一家尖端文学杂志社工作，我却喜欢上了狄更斯的小说，大家都非常喜欢。
This was 1985 and we worked at a cutting-edge literary magazine, but I'd fallen into the plot of a Dickens novel and really, we all loved those best.
在查理•狄更斯的小说里，最感伤的镜头之一是，在《大卫•科普菲尔德》中的老赶马车人巴基斯，在大海涨潮的时候，海水很满向海岸边漫过去，巴基斯就推迟了他的死亡，但是最后“在退潮的时候也跟着去了”。
In one of Charles Dickens’s most sentimental scenes, the old coachman Barkis in “David Copperfield” delays his dying while the sea is full and coming onshore, but eventually “goes out with the tide”.
“狄更斯家族不喜欢特娜的故事，”她狡黠地有意地停顿了一会儿，“特别是他们不喜欢我在书中指出狄更斯去世时发生的事。”
An intentionally sinister pause. "in particular, they've never liked the stuff I suggested about Dickens's death."
彼得•阿克罗伊德是小说家、评论家暨查尔斯•狄更斯和托马斯•莫尔爵士的传记作者，正如他在新书中的断言：“英国人比别人看见更多的鬼魂。”
As Peter Ackroyd, novelist, critic and biographer of Charles Dickens and Sir Thomas More, asserts in his new book: “The English see more ghosts than anyone else.”
狄更斯在19世纪40年代写小妮尔的死去时，人们为之哭泣——而且我敢肯定，哈利·波特系列中人物的死也会让读者为之流下泪水。
When Charles Dickens wrote about the death of Little Nell in the 1840s, people wept-and I'm sure that the death of characters in j.k..
狄更斯在19世纪40年代写小妮尔的死去时，人们为之哭泣——而且我敢肯定，哈利·波特系列中人物的死也会让读者为之流下泪水。
When Charles Dickens wrote about the death of Little Nell in the 1840s, people wept-and I'm sure that the death of characters in J.K. Rowling's Harry Potter series led to similar tears.
像在世界其他地方一样，狄更斯的作品在中国也受到赞赏。
The works of Dickens are admired in China as well as in the rest of the world.
在小说结构安排上，狄更斯式的正反、善恶两极对立世界在老舍的许多作品中都有体现。
As to the structure of the novels, Dickens's style of opposite can be seen in Lao She's works.
在小说结构安排上，狄更斯式的正反、善恶两极对立世界在老舍的许多作品中都有体现。
As to the structure of the novels, Dickens's style of opposite can be seen in Lao She's works.
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