当下,女喜剧演员就是一座宝库,可是,为什么与舞台上、银幕上的男喜剧演员相比,女喜剧演员却如凤毛麟角呢?
There's a treasure trove of great women comics right now, but why so few, compared with the number of funny men on stage and screen?
卡雷尔和费都是天生的喜剧演员,他们深知,一名喜剧演员应始终保持严肃。
Carell and Fey are both natural comic performers, who know that a comedian must never seem to know that it's funny.
在我23或24岁,作为一个喜剧演员起步时,我记得我看见另一个经常读《卫报》的喜剧演员,于是我想:‘上帝,我希望我也能读《卫报》。’
When I started off as a comic, aged 23 or 24, I remember looking at another comedian who used to read the Guardian, and thinking to myself: 'God, I wish I read the Guardian.'
像所有伟大的喜剧演员一样,他挖掘自我,而公众的猎奇心理往往倾向于诋毁那些有隐私的滑稽演员、那些宁愿谈任何东西除了自己的喜剧演员。
Like all great comedians, Allen consumes his roots, and very often the public schleprechaun blurs into the private comic who would rather talk about anything but himself.
当你听到一个单口喜剧演员针对人们排队时的举止说笑话,或者问为什么总是在下雨时才忘了带雨伞,你就是在听一个观察评论类单口喜剧演员在表演。
If you hear a comedian telling jokes about the way people behave when they queue up in lines, or asking why it only rains when you forget your umbrella, you are listening to an observational comedian.
可以说我是一个视觉喜剧演员,图形喜剧演员。
It is about the subjects. I'm a visual comedian, a graphic comedian.
当喜剧演员出场时,观众变得嘈杂起当喜剧演员出场时,来。
当喜剧演员出场时,观众变得嘈杂起当喜剧演员出场时,来。
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