而莫高窟唐代经变画作为敦煌壁画的重要组成部分，虽是佛教为宣扬教义而利用的一种艺术形式，但它毕竟因根植于中华大地而成为华夏文明的一部分。
The sutra painting of Tang Dynasty as an essential part of originally created in an attempt to publicize the Buddhist doctrine, is characteristic of both Chinese traditiona.
而莫高窟唐代经变画作为敦煌壁画的重要组成部分，虽是佛教为宣扬教义而利用的一种艺术形式，但它毕竟因根植于中华大地而成为华夏文明的一部分。
The sutra painting of Tang Dynasty as an essential part of originally created in an attempt to publicize the Buddhist doctrine, is characteristic of both Chinese traditiona.
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