书写哈尼族妇女在历史和文化中的真实处境，是六位哈尼族女作家的共同特点。
This paper discusses the common point of six Hani women writers, that is, the description of the historical and cultural reality of Hani women.
哈尼族传统音乐文化是一个庞大的音乐体系。
艾米莉•伊斯法哈尼·史密斯在《大西洋月刊》上的一篇文章中指出：“勾搭文化的力量制衡取决于男性”，女性实际上并无选择。
As Emily Esfahani Smith points out in an Atlantic article: "the balance of power in hookup culture lies with men" and women don't actually have a choice.
云南哀牢山区的哈尼族的经济类型自古以来以梯田农耕生产为主，成为哈尼族代表性的文化景观。
The economy style of Hani people in Ailao areas of Yunnan rely mainly on Agriculture fields, and it becomes one of typical representative for culture landscape by Hani people.
本文认为声音和活动图像是承载哈尼族口碑文化的最主要的媒介，数码音像技术是我们记录、传承、宣传哈尼族口碑文化的首选技术手段。
This paper studied the characteristics of Hani minority's oral inheritance culture, and suggest to use digital A-V to the research of Hani minorty's oral inheritance culture.
研究和探讨哈尼族传统音乐文化，首先要了解哈尼族传统音乐文化的起源。
To study and discuss traditional music of Hani ethnic group, we should firstly know the origin of it.
第四章，介绍了哈尼族女性传统服饰中的装饰图案，并揭示了其中蕴含的文化意义。
Chapter Four introduces the designs of Hani women's traditional dress and personal adornment and reveals their cultural meaning.
建议对云南元阳哈尼梯田及时采取水稻地方品种与稻作传统文化并重的保护举措。
More attention should be paid to both conservation of rice landraces as well as to the traditional rice culture in Yuanyang Hani's terraced fields in Yunnan Province.
通过对哈尼山寨箐口村传统节日“昂玛突”活动中两个寨神林的考察可以发现，旅游开发并不必然带来目的地文化的变迁，目的地文化还表现出固守的一面。
Compare the two magic woods in Qingkou village on the time of traditional feast, we can find that tourism not always bring cultural change, the culture also represent fixedness.
云南元阳哈尼梯田在申遗过程中，其文化价值和旅游价值日益得到重视。
During the procedure of declaring Yuanyang Hani terrace in Yunnan to be the world heritage, people begin to pay more attention to the terrace's special values of culture and tourism.
随着与外界交流的扩大，哈尼族传统文化在不断变迁。
With the expansion of culture exchange with other culture, Hani national traditional culture is changing.
笔者作为哈尼人，从小有近距离聆听“哈巴”的经历，肩负着保护和继承哈尼族传统文化的责任和义务。
As a member of Hani people, the author has the immediate experience on listening "Haba" and undertakes the responsibility to safeguard and inherit the traditional culture of Hani groups.
笔者作为哈尼人，从小有近距离聆听“哈巴”的经历，肩负着保护和继承哈尼族传统文化的责任和义务。
As a member of Hani people, the author has the immediate experience on listening "Haba" and undertakes the responsibility to safeguard and inherit the traditional culture of Hani groups.
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