其次，从吴歌西曲的创作风格入手。
第三部分重点在于阐释吴歌西曲中民间传统与文人创作的融合。
The third part focuses on expounding the fusion of traditional folk and literary creation of"Wuge Xiqu".
这一作用具体表现在三个方面：一是文人从吴歌西曲中摄取养料丰富自己的创作；
This role is specific in three aspects: first, scholars from"Wuge Xiqu"intake nutrients to enrich their own creation;
再次，从吴歌西曲展现的民间趣味入手，表现出吴歌西曲所蕴含的质朴、率真的特点；
Third, start from the fork fun showed by"Wuge Xiqu", the passage showed the rusticity and frankness implied by"Wuge Xiqu".
相似的审美追求促进了吴歌西曲中民间传统与文人创作的融合，且这种融合在梁代达到了顶峰。
Similar aesthetic pursuit promotes the fusion of the "Wuge Xiqu" and Creation of Literature, and the fusion reached its peak in the Liang Dynasty.
接着从文本入手，进一步表明吴歌西曲中包含的民间形象和民间场景是对南朝生活的真实再现。
Second, the passage further showed that the folk image and scene of"Wuge Xiqu"was a true reproduction of the life of Southern Dynasty.
首先论述吴歌西曲是一种源自民间的艺术形式，反映的是南朝时期一些特有的民间风俗与生活。
First, "Wuge Xiqu" is an art form from the folk, reflecting some unique customs and lives of the Southern Dynasty.
第三，在文人创作的影响下，吴歌西曲虽然展现出含蓄、精美的一面，但乐府与文人诗在文人心中的地位仍旧不相同。
Third, under the influence of literary creation, although"Wuge Xiqu"shows subtle and delicate side, but the verse and poetry writers in the literary mind still own different position.
尽管两者都被郭茂倩置于《清商曲辞》之列，但由于存在文风、地理、形式等方面的不同，吴歌与西曲之间依旧存在着差异。
Although both are placed in the "QingshangQuci" list by Guomao Qian, because of the style of writing, geography, and other aspects of different forms, "Wuge"and"Xiqu"still exist differences .
尽管两者都被郭茂倩置于《清商曲辞》之列，但由于存在文风、地理、形式等方面的不同，吴歌与西曲之间依旧存在着差异。
Although both are placed in the "QingshangQuci" list by Guomao Qian, because of the style of writing, geography, and other aspects of different forms, "Wuge"and"Xiqu"still exist differences .
应用推荐