“我手头上有全部素材”，法国后印象主义画家皮埃尔·波纳尔曾经写到。
"I HAVE all my subjects to hand", Pierre Bonnard, a French post-impressionist painter, once wrote.
塞尚是后印象主义的三个杰出代表之一，他与凡高、高更被视为西方现代艺术的先驱者。
Being one of the three prominent representatives of Post Impressionism, Cezanne is regarded as the forerunner of western modern art together with Van Gogh and Gauguin.
后印象主义时期对“光”的运用则加入了主观情感的成分，更加注意绘画形式的表现力，自然的光线在油画中地位下降。
In Post-Impressionism, "light"added subjective feeling to pay more attention to the showing of form, so the nature declined in the oil painting.
保罗·高更是19世纪法国后印象主义绘画代表人物，他用感性的方法去观察自然、解释自然，形成了自己的艺术美学观。
Paul Ganguin was a French representative of impressionism painting in 19th Century. With geist way, he formed his own art aesthetics through observation and explanation of nature.
1922年，巴恩斯博士在美国宾夕法尼亚创立了巴恩斯基金会，将此作为一个收集后印象主义以及早期现代艺术的教育机构。
In 1922, Barnes created The Barnes Foundation in Pennsylvania to serve as an educational institution with collection of Post-Impressionist and early Modern art.
透纳对光色战氛围转变地重视取悉幸仔究，对厥后地印象主义派绘家有着较着地影响。
Light color, and the change of air and take on subsequent impressions, painter has obvious effect.
新印象主义画法，用渺小、密集的彩色点混杂后发生一种醒目的后果。
Neo-consequenceism appearanceized by the utilize of tiny, carefully amplituded dots or credibility of color that alloy to aftermath a beaming superior.
新印象主义画法，用渺小、密集的彩色点混杂后发生一种醒目的后果。
Neo-consequenceism appearanceized by the utilize of tiny, carefully amplituded dots or credibility of color that alloy to aftermath a beaming superior.
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