命运主题是古希腊悲剧的传统命题。
哈代认同古希腊悲剧的命运观念吗?
Did Thomas Hardy and Greek Tragedians Share the Same Notion of Fate?
白天我研习古希腊悲剧,晚上把这些教给本科生。
And my day job is that I study ancient Greek tragedy and then try to teach it to undergraduates.
亚里士多德的悲剧情节论是古希腊悲剧艺术的美学概括。
Aristotle's theories of tragic plot is the generalization of the ancient Greek tragic art.
或许,这也就是被称之为命运悲剧的古希腊悲剧的命运。
Though classical Greek tragedy was called tragedy of destiny in itself, its own destiny was of no exception.
本文关注的则是狄奥尼索斯与古希腊悲剧在基本精神上的相通之处。
This concern is about the Greek tragedy and Dionysus in the basic similar spirit.
从古希腊悲剧的视角切入,阐述了哈代小说中命运色彩的丰富内涵。
From a view of ancient Greece tragedy this paper discusses the rich content of the flavor of destiny of Hardy's fictions.
对于酒神狄奥尼·索斯与古希腊悲剧之间的密切关联,学界早有共识。
It has been a consensus about the close association between Dionysus and Greek Tragedy in the academics.
在古希腊悲剧命运观的影响下,哈代小说中还存在着浓厚的命运悲剧意识。
Hardy's novels contained dense fate tragedy consciousness influenced by the fate concept in ancient Greek tragedy.
作品的灵感来源于古希腊悲剧作家埃斯库罗斯的作品——悲剧“波斯人”。
The work has been inspired from the tragedy "The Persians"by the ancient greek dramatist Aeschylus.
少而不学者既丧失了过去,也丢失了未来。—欧里庇得斯,古希腊悲剧大师。
Whoever neglects learning in his youth, loses the past and is dead for the future. -euripides, ancient Greek tragedian.
奥尼尔戏剧的悲剧性质深受古希腊悲剧、斯特林堡的表现主义及其个人经历的影响。
The tragic nature of Eugene O Neill splays is deeply influenced by the ancient Greek tragedy, the expressionism of Strindberg, and O Neill sown experience.
古希腊悲剧家欧里庇得斯的剧作《酒神的女祭司们》生动地展现了本能和习俗的冲突。
The Bacchae, a play by the Greek tragedian Euripides, shows a dramatic view of the confrontation between instincts and institutions.
与此相应,对酒神精神实质的理解,也为我们阅读古希腊悲剧作品提供了另一个可能的视角。
It's proportional that the understanding of the essence of the Dionysian spirit provides another possible view on reading the works of Greek Tragedy.
古希腊悲剧,是世界艺术殿堂中不可缺少的瑰宝,也是古典艺术留给世人的一笔丰厚的遗产。
Classical Greek tragedies are a wealth of treasure in the world palace of art, and a treasure trove of heritage classical art left to the world.
在古希腊悲剧演员数量增加的历史进程中,埃斯库罗斯与索福克勒斯先后扮演了极其重要的角色。
In the process of the Ancient Greece tragedian's increasement, Aeschylus and Sophocles sequentially played quite an important role.
在以往的悲剧研究中,对戏剧文本的系统研究仅限于古希腊悲剧、莎士比亚悲剧和西方现代悲剧上。
In the previous study of tragedies, the study of dramatic texts was merely confined to Greek tragedies, Shakespearian tragedies and the western modern tragedies.
运用文本细读与社会历史研究相结合的方法,对“命运范式”与古希腊悲剧文本之间的契合关系进行了研究。
The textual close reading and the social history research method are used together to research the relation between the destiny paradigm and the ancient Greek tragedy.
古希腊悲剧和莎士比亚的悲剧分别产生在两个十分相似又同样伟大的时代,它们在精神上保持了高度的一致。
The ancient Greek tragedy and Shakespearean tragedy came into being in very similar and great era. The two kinds of tragedy have no difference on their spirits.
本文的研究以荷马史诗、古希腊悲剧《俄瑞斯忒亚》以及近现代作品《哈姆莱特》、《苍蝇》为主要分析文本。
This pager uses Homeric epic, Greek tragedy Oresteia , and modern literature works Hamlet , Les mouches as the mainly analyzing texture.
悲剧《哈姆雷特》对古希腊悲剧的继承性,体现在结构、情节安排和矛盾冲突、人物形象塑造、艺术手法表现上。
The inheritance of Hamlet to the ancient Greek tragedy was embodied in many aspects-the structure, plot arrangement, conflict, characters and artistic style.
在中国古代文学史上,元杂剧是一颗璀璨的明星,其内容之广、数量之多,堪称一代文学,与古希腊悲剧、印度梵剧并肩。
In Chinese ancient literature history, Yuan drama is a shining star, its content, the number of large, called the generation of literature, as the ancient Greek tragedies, India brahman drama.
西格蒙德·弗洛伊德(Sigmund Freud)沉迷于莎士比亚和陀思妥耶夫斯基,并以索福克勒斯(Sophocle 古希腊悲剧诗人)的悲剧角色命名了俄狄浦斯情节。
Sigmund Freud named the Oedipus complex for Sophocles' tragic character and was fascinated with Shakespeare and Dostoevsky.
《苍蝇》是萨特根据古希腊神话故事改编的一部存在主义悲剧。
The Flies is an existential play adapted from an ancient Greek fairy tale by Sartre.
欧里庇得斯(古希腊三大悲剧作家之一):我知道我将犯下的罪行是多么可怕,但比之更甚的是我的愤怒,我的愤怒已经战胜了我的理智。
I know indeed what evil I intend to do, but stronger than all my afterthoughts is my fury, fury that brings upon mortals the greatest evils. ——Euripides.
在古希腊的艺术中,通过悲剧形式创造了表达和推崇个人的痛苦的新的方式。
In the art of ancient Greece, the new form of tragedy created the means to voice and honor personal suffering.
在古希腊的艺术中,通过悲剧形式创造了表达和推崇个人的痛苦的新的方式。
In the art of ancient Greece, the new form of tragedy created the means to voice and honor personal suffering.
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