叙事语言方面,海岩从早期文白夹杂的平淡语言到后期的流畅生动,都保留着一份质朴的风格。
In narrative language, Haiyan from the early inclusion of plain white paper to the latter part of the language fluency vivid, retains a simple style.
我们的日常生活(至少在叙事质量方面)没有提供对这些语言的编程构造的直接模拟。
Our ordinary life, at least in its narrative quality, provides no direct analog for the programming constructs of these languages.
另一方面不同节奏的语言使小说的叙事话语带上了不同的审美意味和情绪色彩,有效地加大了小说叙述语言的表现力。
On the other hand, different rhythmical statements get the stating words of novel with different aesthetic and emotional color, and effectively strength the stating words.
它体现在作家对文体的沿袭与创造“、过来人”的叙事角度以及独特的语言追求三个方面。
It is embodied in three aspects: the inheritance and creation of style, the narrative Angle of an experienced person and the refined pursuit of prose language.
文章从叙事结构、主题阐释、电影语言、结尾叙事四个方面分析了该影片独具匠心的叙事策略。
The article from the narrative structure, the subject explanation, the movie language, the ending narrated four aspects to analyze this movie alone ingenuity narrative strategy.
文章从叙事结构、主题阐释、电影语言、结尾叙事四个方面分析了该影片独具匠心的叙事策略。
The article analyzes this movie alone ingenuity narrative strategy from the narrative structure, the subject explanation, the movie language, and the ending narration.
第二章从人物塑造、叙事特点、语言特色三个方面来阐述《国语》的文学性所在。
The second chapter explores the unique literariness of GuoYu through three aspects, that is, characterization, narration features and language characteristics.
叙事语言。 主要从人物语言的个性化和叙述人语言的风格化两方面阐述。
The language of narrative contains the character and the style of the language.
本文从影片的叙事主题、风格类型、光影、色调、构图等一系列的电影手法和独具意义的影像语言诸方面进行了深刻解读。
The general law of concrete image drawing composition is revealed from the three systems of shape language, color language and picture structure language.
本文从影片的叙事主题、风格类型、光影、色调、构图等一系列的电影手法和独具意义的影像语言诸方面进行了深刻解读。
The general law of concrete image drawing composition is revealed from the three systems of shape language, color language and picture structure language.
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