在《美国太太的金丝雀》中，海明威采用省叙的叙事方式讲述故事。
In A Canary for One, Ernest Hemingway tells his story in the ways of paralipsis.
叙事方式是小说艺术整体的要素之一。
Narrative modes bear heavily on the overall artistic effect of fiction.
讲述与显示是希腊神话的两种基本叙事方式。
Telling and showing are two basic narrative ways in Greek mythology.
它指一种超越了单一平台和单一叙述的叙事方式。
It refers to a kind of storytelling that goes beyond both a single platform and a single narrative.
福克纳用这种叙事方式赋予了本篇小说永久的魅力。
This kind of narration gives a permanent artistic charm to this short story.
这一点集中体现在他的美学理想、复调小说和叙事方式的追求上。
This feature reflects on his aesthetical ideal, two-note's novel and narrative fashion.
关于图像叙事：视觉文化对整合式深度报道叙事方式造成了冲击。
On image narration: Vision culture changes the narrate in the way of In-depth Report.
赵本夫是采用民间话语的叙事方式来写作长篇系列小说《地母》的。
Zhao Ben fu?s novel Earth, the Mother is in a narrative way from the folk discourse.
押井守是日本著名的动画电影作家和导演，并以极富哲理的叙事方式而出名。
Mamoru Oshii is a Japanese animation and live-action film writer and director famous for his philosophy-oriented storytelling.
“言此意彼”的叙事方式在坡的小说创作中出现有两种修辞变体：寓意与反讽。
There are two rhetoric variants of illocutionary narration in Poe's novels: implication and irony.
契诃夫的早期小说特别注重文体，对话体和戏剧体成为契诃夫独特的叙事方式。
Literary form plays an important role in the early novels of Chekhov. A mixture of dialogue and dramatic action forms the basis of Chekhov's unique narrative style.
大般若涅槃经是一种以Akhyana类型的叙事方式写的并有相当的五章长。
The Mahaparinibbana Sutra is a narrative of Akhyana type having five chapters of considerable length.
“言此意彼”的叙事方式在坡的小说创作中表现出两种修辞变体：寓意与反讽。
There are two rhetoric anamorphoses in Poes novels about "say this but refer to that" : allegory and irony.
当前马克思技术哲学的工程主义、批判主义的叙事方式都将这种性质给予了展示。
This nature has been demonstrated by the current way of description, the engineering way and the criticizing way, in Marxism Philosophy of Technology.
教育领域里的“叙事研究”关注如何叙事，以及如何以恰当的叙事方式展开教育研究。
"Narrative inquiry" in education field concerns how to narrate and how to expand education research with seemly mode of narrating.
《知音》的成功，除源于其经营管理之外，还得益于其故事文本的叙事方式和叙事技巧。
The success of Zhi Yin is not only owing to its management but its narrative mode and artifice.
他的成功很大程度在于其独创的叙事方式与结构及别具风格的南方怪诞式和南方哥特式。
His achievement as a novelist is to a great extent due to his narrative techniques, narrative structure, gothic technique, the application of symbolism, and his famous Southern Grotesque Style.
许多人遵循着一个人的故事用一段来叙述的叙事方式写信，另一些的叙事风格有如报刊文章。
Many follow the one-person-per-paragraph approach to storytelling. Others are formatted to look like newspaper articles.
最早出现的是现实主义小说对意识流小说艺术手法的吸纳，由此带来了小说叙事方式的转变。
What emerges most early were that the realism novel writers imitate the form of stream of consciousness novels, which resulting in changes in the narrative pattern of novels.
后现代小说打破了传统小说的叙事方式，语言游戏、拼贴、碎片化等成为了其主要叙事特点。
The postmodernist novel breaks away from the traditional way of narrative. Language games, colleges and fragments compose its major feature.
通过对《紫颜色》小说和影片叙事方式的比较，评析两种媒体不同的内在审美机制和艺术效果。
Through comparing the narrative way of the novel the Color Purple and its film version, this article aims to analyze the different aesthetic mechanisms as well as artistic effects of the two media.
鲁迅乡土小说的审美基调和内在的精神传达紧密融合在一起，形成了独异的叙事方式和结构模式。
The aesthetic mood and the internal spiritual expression are closely connected in Lu Xun's country novels. Thus unique narration method and structure model are formed.
孙惠芬的《上塘书》以一种独特的叙事方式，叙写了当下乡村在走向城市文明的过程中的艰难步履。
The harsh way of the contemporary countryside stepping into urban civilization in the process has been illustrated in Going to the Pond by Sun Huifen with a unique narrative mode.
这些叙事特征在蒲宁后期的作品也得到了继承和完善，并为小说叙事方式的丰富做出了一定的贡献。
These narrative features have also been inherited and improved in Bunin's later works, and contribute to novels narrative mode in a certain degree.
虽然Honigman或Kendall都不是记者，信息流记录的叙事方式却促使两人启动该项目。
Though neither Honigman or Kendall are journalists, the storytelling format of life streaming is what attracted the two to start the project.
张爱玲的“意象化”客观叙事是一种既能继承中外文学传统，又能满足现代读者阅读习惯的叙事方式。
The objective narrative of imagery of Chang is the heritage of the Chinese and foreign literature tradition, and also the habitual reading habit to meet the needs of modern readers.
在叙事方式上，她放弃了传统的“全知全能的叙述”，由作家的个人叙述转变为叙述者的非个人化叙述。
As to the narrative style, she gives up the traditional omniscient and omnipotent narration, but choose the narrator's impersonal one.
在叙事方式上，她放弃了传统的“全知全能的叙述”，由作家的个人叙述转变为叙述者的非个人化叙述。
As to the narrative style, she gives up the traditional omniscient and omnipotent narration, but choose the narrator's impersonal one.
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