为了拍摄这样的影像，我们决定让人置身于一种足够强烈，从而无需任何经典叙事框架的情境之中。
To make them, we decided to put people in a situation powerful enough not to need any classic narrative framework.
通过影片叙事结构、前后呼应的影像修辞策略探讨其影片的宿命意识与抗争精神。
Part three discusses destiny and conflict through the study of the narrative structure and image connotation of her films.
导演罗曼·波兰斯基与史帝芬·斯皮尔伯格是两位杰出的电影大师，其影像风格和叙事策略独具艺术个性。
The director Steven Spielberg and Roman Polanski are two outstanding film greats whose image style and narrative tactics are full of artistic individuality.
题材选取、叙事策略、影像风格这三方面紧密联系在一起，共同体现了第六代导演的追求。
In a word, the theme selection, the narrative strategy and the image style integrates as a whole, show the pursuance of the sixth generation.
电影叙事是一个复杂的体系，这种复杂来自于电影的表达所具有的多重的元素如影像、对话、旁白、音乐、色彩、视角、剪辑等等诸多的表现元素。
Film narration is a complex system, for the mulriple film elements as image, dialogue, aside, music, colour, perspective, and editing, and so on.
本文从影像艺术的本体出发，从剧情体裁、结构与节奏等方面探讨了戏曲电视剧的叙事艺术。
In this article, the author probes into the narrative art of theatrical TV play, starting from its style, structure and rhythm.
动画片是具有叙事功效的动画作品，而动画则是应用动画的制作来播放的影像，本文主要谈的是动画片。
Cartoon is the production of animation which has narrative efficacy, and the animation is the images to play by using the production of animation. This paper mainly talks about cartoon.
历史寓言叙事模式、全息影像叙事模式和个人心史叙事模式是“围城叙事”的三种基本模式。
"Narrative of besieged city" includes three elemental narrative models: historical allegorical model, holographic portrait model, and individual soulful historical model.
多样的叙事结构，独特的拍摄手法，符号化的人物，意向化的影像，这一切都为北野武的电影主题服务。
Numerous narrating styles, special shot ways, symbol characters and imagery portraits, all of these were serving for the films' theme.
它以知性的影像让不同的历史场景进行对望，让历史记忆得以穿梭于轻松与严肃之间，本片对亚洲整体的历史叙事来说，有著新的启示与激发。
It intellectually includes different historical scenes, letting the history cross between easiness and seriousness. It has some new inspiration to the historical narration in Asia.
第二章，从创作母题、叙事结构、叙事时空、影像风格着手，对两岸青春电影的表达形态进行美学上的比较研究。
The second chapter is to start with motif. narrative structure, narrative space, and the image style to compare aesthetically the expressions of the cross-strait youth movie.
他综合运用虚构、省略、大量对白、特写镜头等影像叙事手法，有力地突出了主题。
He comprehensively used these narrative approach such as fiction, omitting, a large number of talks and close-up, highlighting the theme strongly.
影像化叙事潮中的文学现象可分为图文化叙事和仿像化叙事两部分。
The literature phenomena in the visualization narration trend can be divided into narration with pictures and image narration.
全文共分为三章。第一章着重于对文学影像化叙事潮所包含现象的考察。
This paper consists of three chapters: the first chapter focuses on the research on the phenomena contained in the literature visualization narration trend.
具有影像符号视听性与直观性的精英纪录片的叙事模式出现了个人化倾向。
Individualized stating-pattern for documentary of elites, which has the video and intuitionistic quality of video signals, has come forth.
影像叙事和文学叙事在叙事的时空感觉、叙事的视点确定、叙事的结构安排，包括一些细节的处理，都有一些相同之处。
Visual narration and literary narration are similar in terms of narrating time and space, the Angle and structure of narration and some details.
文学影像化叙事潮是世纪之交出现的一种重要的文学现象，具有独特的文学史研究价值。
Literature visualization narration trend is a significant literature phenomenon which has appeared since the turn of the century and has its own distinctive research value in the literature history.
刘大鸿偏爱用简单的叙事手法，也爱用鲜艳的色彩，表现某种虚构的自信和不懂世故的天真，彷如从彼得。勃鲁盖尔的镜头回顾过去历史，全都是扭曲的影像。
Liu prefers simple narrative style ebulliently painted in brilliant colours that reveals a certain self-confidence and naivety, as if seen through the distorted lens of Pieter Bruegel.
叙事性是影像作为媒体出现的主要功能，也是以电视工业为主的商业影像的一个重要特征。
Narrativity is the primary functionality of moving images as media, also an important characteristic of commercial videos dominated by the television industry.
影像成为我们去认知世界、感受世界、适应世界的全新方式，并且成为社会生活的重要叙事方式。
Images developed a new way for us to understand, feel and adapt to the world, as well as an important way to describe our social life.
本文从影片的叙事主题、风格类型、光影、色调、构图等一系列的电影手法和独具意义的影像语言诸方面进行了深刻解读。
The general law of concrete image drawing composition is revealed from the three systems of shape language, color language and picture structure language.
本文从影片的叙事主题、风格类型、光影、色调、构图等一系列的电影手法和独具意义的影像语言诸方面进行了深刻解读。
The general law of concrete image drawing composition is revealed from the three systems of shape language, color language and picture structure language.
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